Recycled Culture in Contemporary Art and Film: The Uses of Nostalgia (Cambridge Studies in Film)

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9780521016315: Recycled Culture in Contemporary Art and Film: The Uses of Nostalgia (Cambridge Studies in Film)

Vera Dika explores the reuse of images, plots and genres of film history from a broad range of critical perspectives. Examining works of art and film that resist the pull of the past, Dika provides an in-depth analysis within a variety of media, including performance, photography, Punk film, and examples from mainstream American and European cinema. Her study analyzes avant-garde art work within the context of contemporary mainstream film practice, as well as in relationship to their historical moment.

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The reuse of images, plots and genres from film history has become prominent in contemporary culture. In this study, Vera Dika explores this phenomenon from a broad range of critical perspectives, examining works of art and film that resist the pull of the past. Dika provides an in-depth analysis of works in several media, including performance, photography, Punk film, and examples from mainstream American and European cinema. Her study positions avant-garde art work within the context of contemporary mainstream film practice, as well as in relationship to their historical moment.

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Book Description CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2012. Paperback. Book Condition: New. Language: English . Brand New Book ***** Print on Demand *****. The reuse of images, plots and genres from film history has become prominent in contemporary culture. In this study, Vera Dika explores this phenomenon from a broad range of critical perspectives, examining works of art and film that resist the pull of the past. Dika provides an in-depth analysis of works in several media, including performance, photography, Punk film, and examples from mainstream American and European cinema. Proclaiming the renewed importance of the image and of genre, she investigates works as diverse as Cindy Sherman s Untitled Film Stills, Amos Poe s The Foreigner, Terence Malick s Badlands, and Francis Ford Coppola s One from the Heart. Her study positions avant-garde art work within the context of contemporary mainstream film practice, as well as in relationship to their historical moment. Bookseller Inventory # AAV9780521016315

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Book Description CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2012. Paperback. Book Condition: New. Language: English . Brand New Book ***** Print on Demand *****.The reuse of images, plots and genres from film history has become prominent in contemporary culture. In this study, Vera Dika explores this phenomenon from a broad range of critical perspectives, examining works of art and film that resist the pull of the past. Dika provides an in-depth analysis of works in several media, including performance, photography, Punk film, and examples from mainstream American and European cinema. Proclaiming the renewed importance of the image and of genre, she investigates works as diverse as Cindy Sherman s Untitled Film Stills, Amos Poe s The Foreigner, Terence Malick s Badlands, and Francis Ford Coppola s One from the Heart. Her study positions avant-garde art work within the context of contemporary mainstream film practice, as well as in relationship to their historical moment. Bookseller Inventory # AAV9780521016315

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