This major study of Ovid's poetry is the first significant analysis of the importance of illusion and the conjuring presence throughout his work. Modern theoretical approaches examine the topic from the points of view of poetics and rhetoric, aesthetics, the psychology of desire, philosophy, religion, and politics. There are also case studies of the reception of Ovid's poetics of illusion in Renaissance and modern literature and art. The book will interest those studying Latin and later European literature. Foreign language sections are accompanied by English translations.
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This major study of Ovid's poetry is the first overarching treatment of the importance of illusion and the conjuring presence throughout his corpus. Modern theoretical approaches accompanied by close readings examine the topic from the points of view of poetics and rhetoric, aesthetics, the psychology of desire, philosophy, religion, and politics. There are also case studies of the reception of Ovid's poetics of illusion in Renaissance and modern literature and art. The book will interest those studying Latin and later European literature. All foreign languages are accompanied by translations.
Philip Hardie is Reader in Latin Literature at the University of Cambridge and a Fellow of New Hall. He has published Virgil's Aeneid: Cosmos and Imperium (1986), The Epic Successors of Virgil (1993), an edition of Virgil's Aeneid Book IX in the Cambridge Greek and Latin Classics series (1994) and the volume on Virgil in the Greece & Rome New Surveys in the Classics (1998). He has edited The Cambridge Companion to Ovid (2002) and is currently contributing to the complete commentary on Ovid's Metamorphoses to be published by the Fondazione Valla. He has also published numerous articles on Latin poetry and is working on a book on fama in Greek and Latin literature and the classical tradition. He is a General Editor of the Cambridge Greek and Latin Classics series and a Fellow of the British Academy.
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