Shakespeare, from Stage to Screen

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9780521078986: Shakespeare, from Stage to Screen
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How is a Shakespearean play transformed when it is directed for the screen? Sarah Hatchuel uses literary criticism, narratology, performance history, psychoanalysis and semiotics to analyze how the plays are fundamentally altered in their screen versions. Instead of providing only play-by-play or film-by-film analysis, the book addresses and defines the main issues of theatre/film aesthetics. Hatchuel also offers guidelines for the study of sequences in Shakespearean adaptations and includes examples from all major films.

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How is a Shakespearean play transformed when it is directed for the screen? Sarah Hatchuel uses literary criticism, narratology, performance history, psychoanalysis and semiotics to analyse how the plays are fundamentally altered in their screen versions. Instead of providing just play-by-play or film-by-film analyses, the book addresses the main issues of theatre/film aesthetics, making such theories and concepts accessible before applying them to practical cases. Her book also offers guidelines for the study of sequences in Shakespearean adaptations and includes examples from all the major films.

About the Author:

Sarah Hatchuel is Lecturer in English at the University of Paris I Panthéon-Sorbonne and Teaching Assistant in Film Studies at the University of Paris VII. She is the author of A Companion to the Shakespearean Films of Kenneth Branagh (2000) and has published several articles on the aesthetics of Shakespeare on screen.

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Book Description CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2008. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****. How is a Shakespearean play transformed when it is directed for the screen? In this 2004 book, Sarah Hatchuel uses literary criticism, narratology, performance history, psychoanalysis and semiotics to analyse how the plays are fundamentally altered in their screen versions. She identifies distinct strategies chosen by film directors to appropriate the plays. Instead of providing just play-by-play or film-by-film analyses, the book addresses the main issues of theatre/film aesthetics, making such theories and concepts accessible before applying them to practical cases. Her book also offers guidelines for the study of sequences in Shakespearean adaptations and includes examples from all the major films from the 1899 King John, through the adaptations by Olivier, Welles and Branagh, to Taymor s 2000 Titus and beyond. This book is aimed at scholars, teachers and students of Shakespeare and film studies, providing a clear and logical apparatus with which to examine Shakespearean screen adaptations. Seller Inventory # AAV9780521078986

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Book Description Cambridge University Press. Paperback. Condition: New. 204 pages. Dimensions: 8.8in. x 6.0in. x 0.7in.How is a Shakespearean play transformed when it is directed for the screen Sarah Hatchuel uses literary criticism, narratology, performance history, psychoanalysis and semiotics to analyze how the plays are fundamentally altered in their screen versions. Instead of providing only play-by-play or film-by-film analysis, the book addresses and defines the main issues of theatrefilm aesthetics. Hatchuel also offers guidelines for the study of sequences in Shakespearean adaptations and includes examples from all major films. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Seller Inventory # 9780521078986

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