Eighteenth-century literature displays a fascination with the seduction of a virtuous young heroine, most famously illustrated by Samuel Richardson's Clarissa and repeated in 1790s radical women's novels, in the many memoirs by fictional or real penitent prostitutes, and in street print. Across fiction, ballads, essays and miscellanies, stories were told of women's mistaken belief in their lovers' vows. In this book Katherine Binhammer surveys seduction narratives from the late eighteenth century within the context of the new ideal of marriage-for-love and shows how these tales tell varying stories of women's emotional and sexual lives. Drawing on new historicism, feminism, and narrative theory, Binhammer argues that the seduction narrative allowed writers to explore different fates for the heroine than the domesticity that became the dominant form in later literature. This study will appeal to scholars of eighteenth-century literature, social and cultural history, and women's and gender studies.
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The seduction of a virtuous young heroine was an immensely popular plot in eighteenth-century literature, most famously in Samuel Richardson's Clarissa. This book surveys seduction narratives within the context of the new ideal of marriage-for-love and shows how these tales tell varying stories of women's emotional and sexual lives.
Katherine Binhammer is Associate Professor in the Department of English and Film Studies at the University of Alberta, Canada.
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Hardcover. Condition: new. Hardcover. Eighteenth-century literature displays a fascination with the seduction of a virtuous young heroine, most famously illustrated by Samuel Richardson's Clarissa and repeated in 1790s radical women's novels, in the many memoirs by fictional or real penitent prostitutes, and in street print. Across fiction, ballads, essays and miscellanies, stories were told of women's mistaken belief in their lovers' vows. In this book Katherine Binhammer surveys seduction narratives from the late eighteenth century within the context of the new ideal of marriage-for-love and shows how these tales tell varying stories of women's emotional and sexual lives. Drawing on new historicism, feminism, and narrative theory, Binhammer argues that the seduction narrative allowed writers to explore different fates for the heroine than the domesticity that became the dominant form in later literature. This study will appeal to scholars of eighteenth-century literature, social and cultural history, and women's and gender studies. The seduction of a virtuous young heroine was an immensely popular plot in eighteenth-century literature, most famously in Samuel Richardson's Clarissa. This book surveys seduction narratives within the context of the new ideal of marriage-for-love and shows how these tales tell varying stories of women's emotional and sexual lives. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780521111348
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