Hamlet, Prince of Denmark (The New Cambridge Shakespeare)

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9780521532525: Hamlet, Prince of Denmark (The New Cambridge Shakespeare)
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Philip Edwards deals succinctly with the exhaustive commentary and controversy which Hamlet has provoked in the manifestation of its tragic energy. Robert Hapgood has contributed a new section on prevailing critical and performance approaches to the play in this updated edition. He discusses recent film and stage performances and actors of the Hamlet role as well as directors of the play. His account of new scholarship stresses the role of memory in the play and the impact of feminist and performance studies upon it. First Edition Hb (1985): 0-521-22151-X First Edition Pb (1985): 0-521-29366-9

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Philip Edwards deals succinctly with the huge volume of commentary and controversy which Hamlet has provoked and offers a way forward which recognizes its full tragic energy. For this updated edition, Robert Hapgood has added a new section on prevailing critical and performance approaches to Hamlet. He discusses recent film and stage performances, actors of the Hamlet role as well as directors of the play; his account of new scholarship stresses the role of remembering and forgetting in the play, and the impact of feminist and performance studies.

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Book Description CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2003. Paperback. Condition: New. Updated edition. Language: English . Brand New Book. The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This second edition of Hamlet, edited by Philip Edwards, brings readers, playgoers and directors into the closest possible contact with Shakespeare s most famous and perplexing play. In the introduction, Edwards explores the possibility that Shakespeare made important alterations to Hamlet as it neared production, creating differences between the two early texts, quarto and folio. Edwards concentrates on essentials, dealing succinctly with the huge volume of commentary and controversy that the play has provoked, and offers a way forward that enables us to recognise Hamlet s full tragic energy. In a new supplementary section, Robert Hapgood discusses recent stage, film and critical interpretations of the play. Seller Inventory # AAC9780521532525

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Book Description CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2003. Paperback. Condition: New. Updated edition. Language: English . Brand New Book. The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This second edition of Hamlet, edited by Philip Edwards, brings readers, playgoers and directors into the closest possible contact with Shakespeare s most famous and perplexing play. In the introduction, Edwards explores the possibility that Shakespeare made important alterations to Hamlet as it neared production, creating differences between the two early texts, quarto and folio. Edwards concentrates on essentials, dealing succinctly with the huge volume of commentary and controversy that the play has provoked, and offers a way forward that enables us to recognise Hamlet s full tragic energy. In a new supplementary section, Robert Hapgood discusses recent stage, film and critical interpretations of the play. Seller Inventory # AAC9780521532525

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Book Description CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2003. Paperback. Condition: New. Updated edition. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This second edition of Hamlet, edited by Philip Edwards, brings readers, playgoers and directors into the closest possible contact with Shakespeare s most famous and perplexing play. In the introduction, Edwards explores the possibility that Shakespeare made important alterations to Hamlet as it neared production, creating differences between the two early texts, quarto and folio. Edwards concentrates on essentials, dealing succinctly with the huge volume of commentary and controversy that the play has provoked, and offers a way forward that enables us to recognise Hamlet s full tragic energy. In a new supplementary section, Robert Hapgood discusses recent stage, film and critical interpretations of the play. Seller Inventory # BTE9780521532525

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