This is the first book to explore the influence of Japanese art on Aubrey Beardsley's work. Placing Japanese woodblock prints in the English and French cultural milieu of the last third of the Victorian era, Professor Zatlin examines Beardsley's technical and thematic adaptions of Japanese art.
"synopsis" may belong to another edition of this title.
This is the first book to explore the influence of Japanese art on Aubrey Beardsley's work. Placing Japanese woodblock prints in the English and French cultural milieu of the last third of the Victorian era, Professor Zatlin examines Beardsley's technical and thematic adaptions of Japanese art.
'... impressively researched.' Sunday Telegraph Winner of the College Art Association Historians of British Art Book Award
' ... an excellent chapter on Victorian voyeurism and pornography ... she reproduces an example of Victorian illustrated pornography from the kind of book which Beardsley certainly knew and might well have parodied in his own work.' Richard Dorment, The Times Literary Supplement
'Miss Zatlin has much useful information on Japanese prints and on both the culture that spawned them and that which used them as a means to escape Western pictorial conventions. Her love of Japan recalls Wilde's 'Japan is not a place, it is a state of mind' and the book is excellently illustrated (placing Beardsley's work alongside ukiyo-e prints very effectively). James Malpas, The Art Newspaper
' ... the force of accumulated evidence for Beardsley's debt to Japanese art presented here is overwhelming.' Burlington Magazine
' ... well written, rigorous yet fluent and presented with attractive restraint'. The Art Book
"About this title" may belong to another edition of this title.
Seller: Second Story Books, ABAA, Rockville, MD, U.S.A.
Hardcover. First Edition. Quarto, v, xi, xiv, 304 pages. In Very Good minus condition with a Good dust jacket. Dust jacket protected with a mylar covering. Spine yellow with black and red lettering. Exterior has slight wear including few, slight soiling marks and few crinkles to the head/tail edges. Boards have mild wear including faint sunning and cocked spine. Text block has slight wear including mild age toning to the edges. Slight adhesive offsetting showing through to the hinges. Illustrated. First edition. NOTE: Shelved in Locked Annex, Quarto and Folio Case. Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire about rates. 1404652. FP New Rockville Stock. Seller Inventory # 1404652
Seller: Burwood Books, Wickham Market, United Kingdom
Hardcover. Condition: Fine. First Edition. Hardback. Dust Jacket. Large 8vo. 318pp. 124 b/w illus. Original publisher's black cloth lettered gilt at the spine. First book to fully explore the influence of Japanese art on Aubrey Beardsley's work. Fine in near fine dust jacket. Excellent condition. No inscriptions, not price-clipped. Seller Inventory # C103073
Quantity: 1 available
Seller: David's Bookshop, Letchworth BA, Letchworth Garden City, HERTS, United Kingdom
Hardcover. Condition: Fine. Dust Jacket Condition: Nr Fine. 1st Edition. Striking yellow and black illustrated dust-jacket, clean and bright, very light sporadic crinkle at top edge. Book itself in mint condition, unmarked, unused, new. Seller Inventory # 038229
Quantity: 1 available
Seller: O.o.l.p., Torino, TO, Italy
Seller Inventory # 29159a39e459988e5e567a5948cf9b2f
Quantity: 1 available