The contributors to this volume trace the life history of artifacts that were brought to Europe and America from Congo toward the end of the nineteenth century, and became the subjects of museum displays. They also present fascinating case studies of the pioneering collectors, including such major figures as Frobenius and Torday, discuss the complex and sensitive issues involved in the business of "collecting," and consider how these objects were used in the invention of Africa by the West.
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"With an excellent introduction which creates a tight framework for what follows, the book adds up to an important contribution to our knowledge of early encounters between Africans and Westerners mediated through art. Each article enriches our knowledge of the subject and of the various subtexts--racial, colonial, economic--that underlay these encounters." Journal of Anthropological Research
"A collection with unusual unity, thanks to articles that were carefully selected and edited." American Anthropologist
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Condition: New. This book is about the expeditions from Europe and North America to collect African art objects at the turn of the century. Editor(s): Schildkrout, Enid; Keim, Curtis A. Num Pages: 272 pages, 29 b/w illus. BIC Classification: 1H; AC; JHMC. Category: (P) Professional & Vocational. Dimension: 239 x 162 x 23. Weight in Grams: 544. . 1998. Illustrated. hardcover. . . . . Books ship from the US and Ireland. Seller Inventory # V9780521583497
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Hardcover. Condition: new. Hardcover. Western attitudes to Africa have been influenced to an extraordinary degree by the arts and artefacts that were brought back by the early collectors, exhibited in museums, and celebrated by scholars and artists in the metropolitan centres. The contributors to this volume trace the life history of artefacts that were brought to Europe and America from Congo towards the end of the nineteenth century, and became the subjects of museum displays. They also present fascinating case studies of the pioneering collectors, including such major figures as Frobenius and Torday. They discuss the complex and sensitive issues involved in the business of 'collecting', and show how the collections and exhibitions influenced academic debates about the categories of art and artefact, and the notion of authenticity, and challenged conventional aesthetic values, as modern Western artists began to draw on African models. This book is about the expeditions from Europe and North America to collect African art objects at the turn of the century. It describes fascinating encounters between traders, missionaries, ethnographers and African suppliers, and considers how these objects were used in the invention of Africa by the West. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9780521583497
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