This volume reveals a theater culture more complex and contradictory than previous histories have allowed for. Combining the popular with the commercial, the book includes accounts of the craze for thriller and detective plays and musical comedy and revue, alongside analyses of historical pageantry and the development of politicized productions of Shakespeare. It initiates a long overdue reassessment of mid-twentieth century British theater cultures. The book will appeal to advanced undergraduates and postgraduates as well as scholars interested in twentieth-century British theater.
"synopsis" may belong to another edition of this title.
Clive Barker has had a long career combining practical work and academic teaching. His ideas on actor training were published as Theatre Games in 1977. He is co-editor of New Theatre Quarterly published by Cambridge University Press.
Maggie B. Gale is Senior Lecturer in Drama and Theatre Arts at the University of Birmingham. She is the author of West End Women; women on the London stage 1918-1962 (1996) and joint editor with Viv Gardner of Women, Theatre and Performance: New Histories, New Historiographies (2000).
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