The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For this second edition of Titus Andronicus Sue Hall-Smith has written a new section on recent scholarship and important contemporary performances of the play. The edition retains the text prepared by Alan Hughes, based on the first quarto and supplemented by crucial additions and stage directions from the Folio. In the introduction, Hughes contradicts the historically popular view that Titus Andronicus is a poor play of dubious authorship. Joining the growing ranks of critics who take the play seriously, Hughes applauds its thematic unity and grim humour, and demonstrates that it is the work of a brilliant stage craftsman, confident in his mastery of space, movement and verse.
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For this second edition of Titus Andronicus Sue Hall-Smith has written a new section on recent scholarship and important contemporary performances of the play. The edition retains the text prepared by Alan Hughes together with his introduction, which includes a complete stage history to the end of the last century.
Shakespeare's first Roman play rivals GLADIATOR in gore. It features a steady parade of violence, revenge, rape, mutilation, and even cannibalism. The tragedy of two feuding families may be best enjoyed as an action-packed melodrama, which is how director Clive Brill smartly interprets it. This wonderful performance ranks with the best recorded Shakespeare. Thrilling organ chords underscore moments of tension and nicely supplement the atmospheric music by Dominique Le Gendre. The entire cast performs their larger-than-life roles with a grandness that never becomes hammy. Their sharp diction is also a continual pleasure. The villains are the most fun, especially Harriet Walter, whose Tamara is deliciously guileful. G.H. Winner of AUDIOFILE Earphones Award. © AudioFile 2001, Portland, Maine-- Copyright © AudioFile, Portland, Maine
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