American Jews have a powerful cultural narrative that seemingly speaks on their behalf. According to this narrative, Eastern European Jewish immigrants built the film industry in the first decade of this century and dominated it by the second. As opposed to determining a particularly Jewish vision of America, Steven Alan Carr argues that this way of looking at Jews in Hollywood emanates from a particularly American vision of Jews. Like the Jewish Question of the 19th century--which fretted over the full participation of Jews within public life--the Hollywood Question of the 1920s, 30s and 40s fretted over Jewish participation within the mass media. As a whole way of thinking and talking about both Jews and motion pictures, Hollywood and Anti-Semitism reveals a powerful set of assumptions concerning ethnicity, intent and media influence. Steven Alan Carr is an Assistant Professor of Communication at Indiana University-Purdue University, Fort Wayne. His work appears in Cinema Journal and other publications. This is his first book.
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Carr (communications, Indiana Univ.- Purdue Univ. Fort Wayne) has written a scholarly history of anti-Semitism in Hollywood. Exhaustively researched, the book examines the key issues behind anti-Semitism in the movie industry and the attitudes of American audiences. The author explores the way Jews were portrayed in film and the various ethnic stereotypes American moviegoers watched. This stereotyping reinforced the negative view of Jews in society. Though written in a dry academic style, the book includes extensive notes and a bibliography and is an excellent resource on Hollywood's anti-Semitism. Photographs and cartoons depicting anti-Jewish sentiments enhance the text. There are numerous examples to validate Carr's thesis, such as Charles Lindbergh's famous remark that "the greatest danger to this country lies in their [Jews] large ownership and influence in our motion pictures, our press, our radio, and our government." This thought-provoking book is recommended for academic libraries. Rosalind Dayen, Broward Cty. South Regional Lib., Pembroke Pines, FL
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Softbound. Condition: Very Good. Octavo, paper covers, xvi, 342 pp., b/w photos, notes, bibliography, index This book examines the role of American Jews in the entertainment industry, from the turn of the century to the outbreak of World War II. Eastern European Jewish immigrants are often credited with building a film industry during the first decade of the twentieth century that they dominated by the 1920s. In this study, Steven Carr reconceptualizes Jewish involvement in Hollywood by examining prevalent attitudes towards Jews among American audiences. Analogous to the Jewish Question of the nineteenth century, which was concerned with the full participation of Jews within public life, the Hollywood Question of the 1920s, 30s, and 40s addressed the Jewish population within mass media. This study reveals the powerful set of assumptions concerning ethnicity and media influence as related to the role of the Jew in the motion picture industry. Not about Jewish influence, but about how cultural ideas constructed a way of seeing the Jew and media Considers how allegations appeared of Jewish control over Hollywood Re-examines 'Hollywood novels': West's Day of the Locust, Fitzgerald's Last Tycoon, and Shulberg's What Makes Sammy Run?" from flap copy. Seller Inventory # 45473
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