Satire as a distinct genre was first developed by the Romans and regarded as completely 'their own'. This Companion's international contributors provide a stimulating introduction to the genre and its individual proponents aimed particularly at non-specialists. Roman satires are explored both as generic, literary phenomena and as highly symbolic and effective social activities. Satire's transformation in late antiquity and reception in more recent centuries is also covered.
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Kirk Freudenburg is Professor of Latin and Chair of the Department of the Classics at the University of Illinois. His previous publications include The Walking Muse: Horace and the Theory of Satire (Princeton University Press, 1993) and Satires of Rome: Threatening Poses from Lucilius to Juvenal (Cambridge University Press, 2001).
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Original hardcover. Condition: Sehr gut. XVI, 352 p. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Slightly rubbed, otherwise very good and clean. Includes short bio of the editor. / Leicht berieben, sonst sehr gut und sauber. Beiliegend Kurzbio des Herausgebers. - CONTENTS: Introduction: Roman satire by KIRK FREUDENBURG -- Part I: Satire as literature -- 1. Rome's first "satirists": themes and genre in Ennius and Lucilius by FRANCES MUECKE -- 2. The restless companion: Horace, Satires 1 and 2 by EMILY GOWERS -- 3. Speaking from silence: the Stoic paradoxes of Persius by ANDREA CUCCHIARELLI -- 4. The poor man's feast: Juvenal by VICTORIA RIMELL -- 5. Citation and authority in Seneca's Apocolocyntosis by ELLEN O'GORMAN -- 6. Late arrivals: Julian and Boethius by JOEL RELIHAN -- 7. Epic allusion in Roman satire by CATHERINE CONNORS -- 8. Sleeping with the enemy: satire and philosophy by ROLAND MAYER -- 9. The satiric maze: Petronius, satire, and the novel by VICTORIA RIMELL -- Part II: Satire as social discourse -- 10. Satire as aristocratic play by THOMAS HABINEK -- 11. Satire in a ritual context by FRITZ GRAF -- 12. Satire and the poet: the body as self-referential symbol by ALESSANDRO BARCHIESI AND ANDREA CUCCHIARELLI -- 13. The libidinal rhetoric of satire by ERIK GUNDERSON -- Part III: Beyond Rome: satire in English letters -- 14. Roman satire in the sixteenth century by COLIN BURROW -- 15. Alluding to satire: Rochester, Dryden, and others by DAN HOOLEY -- 16. The Horatian and the Juvenalesque in English letters by CHARLES MARTINDALE -- 17. The "presence" of Roman satire: modern receptions and their interpretative implications by DUNCAN KENNEDY -- Conclusion -- The turnaround: a volume retrospect on Roman satires by JOHN HENDERSON. - Satire as a distinct genre of writing was first developed by the Romans in the second century bce. Regarded by them as uniquely "their own," satire held a special place in the Roman imagination as the one genre that could address the problems of city life from the perspective of a "real Roman." In this Cambridge Companion an international team of scholars provides a stimulating introduction to Roman satire's core practitioners and practices, placing them within the contexts of Greco-Roman literary and political history. Besides addressing basic questions of authors, content, and form, the volume looks to the question of what satire "does" within the world of Greco-Roman social exchanges, and goes on to treat the genre's further development, reception, and translation in Elizabethan England and beyond. Included are studies of the prosimetric, "Menippean" satires that would become the models for Rabelais, Erasmus, More, and (narrative satire's crowning jewel) Swift. ISBN 9780521803595 Sprache: Englisch Gewicht in Gramm: 698. Seller Inventory # 1178196
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Hardcover. Condition: new. Hardcover. Satire as a distinct genre of writing was first developed by the Romans in the second century BCE. Regarded by them as uniquely 'their own', satire held a special place in the Roman imagination as the one genre that could address the problems of city life from the perspective of a 'real Roman'. In this Cambridge Companion an international team of scholars provides a stimulating introduction to Roman satire's core practitioners and practices, placing them within the contexts of Greco-Roman literary and political history. Besides addressing basic questions of authors, content, and form, the volume looks to the question of what satire 'does' within the world of Greco-Roman social exchanges, and goes on to treat the genre's further development, reception, and translation in Elizabethan England and beyond. Included are studies of the prosimetric, 'Menippean' satires that would become the models of Rabelais, Erasmus, More, and (narrative satire's crowning jewel) Swift. Satire as a genre was first developed by the Romans and regarded as completely 'their own'. In this Companion a leading international cast of contributors provides a stimulating introduction aimed particularly at non-specialists. Satires' generic and literary features are explored, as well as their role as social discourse and reception. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780521803595
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Hardcover. Condition: new. Hardcover. Satire as a distinct genre of writing was first developed by the Romans in the second century BCE. Regarded by them as uniquely 'their own', satire held a special place in the Roman imagination as the one genre that could address the problems of city life from the perspective of a 'real Roman'. In this Cambridge Companion an international team of scholars provides a stimulating introduction to Roman satire's core practitioners and practices, placing them within the contexts of Greco-Roman literary and political history. Besides addressing basic questions of authors, content, and form, the volume looks to the question of what satire 'does' within the world of Greco-Roman social exchanges, and goes on to treat the genre's further development, reception, and translation in Elizabethan England and beyond. Included are studies of the prosimetric, 'Menippean' satires that would become the models of Rabelais, Erasmus, More, and (narrative satire's crowning jewel) Swift. Satire as a genre was first developed by the Romans and regarded as completely 'their own'. In this Companion a leading international cast of contributors provides a stimulating introduction aimed particularly at non-specialists. Satires' generic and literary features are explored, as well as their role as social discourse and reception. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9780521803595
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