Ingres and his Critics

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9780521842433: Ingres and his Critics

Spanning his renunciation of the Salon in 1834 until his large retrospective at the crucial 1855 Universal Exposition, this book examines the critical writing and journalistic reportage on Jean-Auguste-Dominque Ingres. It demonstrates how Ingres shaped his career in the rapidly evolving art world of mid-nineteenth century Paris. While enjoying the benefits of his affiliation with the Academy, the artist also pursued certain modes of presentation, most notably the single-artist exhibition and illustrated monograph, through which he distanced himself from the embattled world of artistic officialdom.

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This book examines the critical writing and journalistic reportage on Jean-Auguste-Dominque Ingres, from the time of his renunciation of the Salon in1834 until his large retrospective at the 1855 Universal Exposition, the crucial middle decades of his career. This massive body of writing demonstrates how Ingres shaped his career in the rapidly evolving art world of mid-nineteenth century Paris. Enjoying the benefits of his affiliation with the Academy, the artist also employed certain modes of presentation, most notably the single-artist exhibition and illustrated monograph, through which he distanced himself and his work from the embattled world of artistic officialdom.

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"An intriguing review of the artistry of Ingres and subsequent reception to his works." --International Art Treasures Art Magazine

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Book Description CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2005. Hardback. Book Condition: New. Language: English . Brand New Book. This book examines the critical writing and journalistic reportage on Jean-Auguste-Dominque Ingres, from the time of his renunciation of the Salon in 1834 until his large retrospective at the 1855 Universal Exposition, the crucial middle decades of his career. This massive body of writing demonstrates how Ingres shaped his career in the rapidly evolving art world of mid-nineteenth century Paris. Enjoying the benefits of his affiliation with the Academy, the artist also employed certain modes of presentation, most notably the single-artist exhibition and illustrated monograph, through which he distanced himself and his work from the embattled world of artistic officialdom. Pursuing both paths, he assumed the new modernist ideal of a self-generating creative genius. The fluctuation in Ingres s critical persona - between puffed-up academician and unassuming artiste-maudit - provides a new context through which the formal qualities of his work, which vacillate between academic banality and modernist bizarrerie, can be understood. Bookseller Inventory # AAA9780521842433

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Book Description CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2005. Hardback. Book Condition: New. Language: English . Brand New Book. This book examines the critical writing and journalistic reportage on Jean-Auguste-Dominque Ingres, from the time of his renunciation of the Salon in 1834 until his large retrospective at the 1855 Universal Exposition, the crucial middle decades of his career. This massive body of writing demonstrates how Ingres shaped his career in the rapidly evolving art world of mid-nineteenth century Paris. Enjoying the benefits of his affiliation with the Academy, the artist also employed certain modes of presentation, most notably the single-artist exhibition and illustrated monograph, through which he distanced himself and his work from the embattled world of artistic officialdom. Pursuing both paths, he assumed the new modernist ideal of a self-generating creative genius. The fluctuation in Ingres s critical persona - between puffed-up academician and unassuming artiste-maudit - provides a new context through which the formal qualities of his work, which vacillate between academic banality and modernist bizarrerie, can be understood. Bookseller Inventory # AAA9780521842433

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Book Description CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2005. Hardback. Book Condition: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. This book examines the critical writing and journalistic reportage on Jean-Auguste-Dominque Ingres, from the time of his renunciation of the Salon in 1834 until his large retrospective at the 1855 Universal Exposition, the crucial middle decades of his career. This massive body of writing demonstrates how Ingres shaped his career in the rapidly evolving art world of mid-nineteenth century Paris. Enjoying the benefits of his affiliation with the Academy, the artist also employed certain modes of presentation, most notably the single-artist exhibition and illustrated monograph, through which he distanced himself and his work from the embattled world of artistic officialdom. Pursuing both paths, he assumed the new modernist ideal of a self-generating creative genius. The fluctuation in Ingres s critical persona - between puffed-up academician and unassuming artiste-maudit - provides a new context through which the formal qualities of his work, which vacillate between academic banality and modernist bizarrerie, can be understood. Bookseller Inventory # APE9780521842433

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