In analysing intensely personal responses to a new accessible environment, Bernard Smith shows how science, topography and travel had an impact on current pictorial genres. In analysing intensely personal responses to a new accessible environment, Bernard Smith shows how science, topography and travel had an impact on current pictorial genres. Among many surprising findings he argues that the obligation science placed on art to provide information was a factor in the triumph of Impressionism during the late nineteenth century.
With its breadth of vision and attention to detail, its exploration of the complex relationship between the pursuit of knowledge and the exercise of power, Imagining the Pacific takes its place alongside Bernard Smith's earlier work as a milestone in historical scholarship."
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Book Description 4to, 262pp. Colour and black & white illustrations. A very good paperback copy. Spine slightly faded. Seller Inventory # 118333
Book Description Paperback. European artists and scientists traveling to the Pacific during the time of Cook's voyages were often stimulated to see the world in new and creative ways. In this book, a preeminent art historian discusses how these voyages influenced art and literature of the period. Bernard Smith discusses in detail such issues as the impact of science, topography, and travel on the genres of the academy; the effects of empirical naturalism on long-standing classical conventions; and the difficulties faced by artists who were totally ignorant of the people and places they were to portray. Smith argues that the obligation science placed on art to provide information was a factor in the triumph of Impressionism during the late nineteenth century, pointing out, for example, that William Hodges, Cook's official artist on his second voyage to the Pacific, was one of the first artists to adopt plein-air methods of painting. Describing the impact of the Pacific world on burgeoning English Romanticism, Smith tells of the crucial influence that Cook's astronomer, William Wales, had on S.T. Coleridge. He also delineates the ways in which an apparently documentary art can be fashioned to suit political concerns, revealing how John Webber, the official artist on the third voyage, composed his drawings to suggest that Cook's relationships with the peoples of the Pacific were amicable when they often were not. In this handsome book Smith explores in greater detail, in more depth, and across a shorter time span some of the historical problems that he first addressed in his classic European Vision and the South Pacific. This book will take its place alongside the earlier work as a milestone in historical scholarship. 2.1 Centimeters X 20.5 Centimeters X 28.2 Centimeters. Seller Inventory # 23127833