“Elegant, sensual, surprising, and rich, Tomorrow There Will Be Apricots delivers a world to us, populated with indelible characters whose fates, as they become entwined, spur us to read fast, faster, except to do so would be to miss the beauty of Soffer’s language, which is to be savored.” — Dani Shapiro, author of Family History
This is a story about accepting the people we love—the people we have to love and the people we choose to love, the families we’re given and the families we make. It’s the story of two women adrift in New York, a widow and an almost-orphan, each searching for someone she’s lost. It’s the story of how, even in moments of grief and darkness, there are joys waiting nearby.
Lorca spends her life poring over cookbooks, making croissants and chocolat chaud, seeking out rare ingredients, all to earn the love of her distracted chef of a mother, who is now packing her off to boarding school. In one last effort to prove herself indispensable, Lorca resolves to track down the recipe for her mother’s ideal meal, an obscure Middle Eastern dish called masgouf.
Victoria, grappling with her husband’s death, has been dreaming of the daughter they gave up forty years ago. An Iraqi Jewish immigrant who used to run a restaurant, she starts teaching cooking lessons; Lorca signs up.
Together, they make cardamom pistachio cookies, baklava, kubba with squash. They also begin to suspect they are connected by more than their love of food. Soon, though, they must reckon with the past, the future, and the truth—whatever it might be. Bukra fil mish mish, the Arabic saying goes. Tomorrow, apricots may bloom.
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JESSICA SOFFER earned her MFA at Hunter College, where she was a Hertog Fellow. Her work has appeared in Granta, Vogue and the New York Times, among other publications. Her father, a painter and sculptor, emigrated from Iraq to the US in the late 1940s. She teaches fiction at Connecticut College and lives in New York City.
When 14-year-old Lorca is discovered cutting herself at school and is suspended, her mother decides to send her to a private school. Hoping to dissuade her, Lorca sets out to find a recipe for Masgouf, an obscure Iraqi dish that her mother, a chef, once said was the most delicious thing she had ever tasted. Lorca’s quest leads her to Victoria, an elderly Iraqi-Jewish immigrant who can teach her how to make the dish. Both lost souls, the two bond and soon begin to suspect there is a connection between them larger than that of teacher and student. Told in Victoria and Lorca’s alternating first-person voices, the character-driven novel focuses, sometimes microscopically, on the characters’ troubled emotional lives. The slow pace of the developing story sometimes tests the reader’s patience but nevertheless offers fully realized, multidimensional characters who invite empathy and compassion. --Michael Cart
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