Such deep penetration into the dark and harrowing corners of the psyche is rare in any novel. It points to the fact that The Bell Jar is a largely autobiographical work about Plath's own summer of 1953, when she was a guest editor at Mademoiselle and went through a breakdown. It reveals so much about the sources of Sylvia Plath's own tragedy that its publication was considered a landmark in literature.
"Esther Greenwood's account of her years in The Bell Jar is as clear and readable as it is witty and disturbing ... [This] is not a potboiler, nor a series of ungrateful caricatures; it is literature." -New York Times
This special 25th-anniversary edition includes a new foreword by Frances McCullough,who was the Harper & Row editor for the original edition, about the untold story of The Bell Jar's first American publication.
"synopsis" may belong to another edition of this title.
"A fine novel, as bitter and remorseless as her last poems -- the kind of book Salinger's Fanny might have written about herself ten years later, if she had spent those ten years in Hell." -- Robert Scholes, The New York Times Book Review.
"By turns funny, harrowing, crude, ardent and artless. Its most notable quality is an astonishing immediacy, like a series of snapshots taken at high noon." -- Time.
"A special poignance... a special force, a humbling power, because it shows the vulnerability of people of hope and good will." -- Newsweek.
"About this title" may belong to another edition of this title.
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