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Book Description Hardback. Condition: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration. Seller Inventory # GOR013515639
Book Description Condition: Good. Most items will be dispatched the same or the next working day. Seller Inventory # wbs1499924091
Book Description 4°, Leinen. Condition: Sehr gut. Auflage: First Edition :. 376 Seiten : Altersgemäß angedunkelt, leichte Gebrauchsspuren ISBN: 9780571094431 . Als Versandart wählen wir immer eine schnelle Option (in Deutschland Brief oder DHL-Paket, ins Ausland Warenpost oder DHL-Paket). Preis inkl. MwSt. Sprache: Englisch Gewicht in Gramm: 1357. Seller Inventory # 896661
Book Description Condition: Very Good. 1st edition. Cloth, dj, F/VG. 376pp, b/w frontis, 60pp b/w plates showing 72 illustrations, 83 text figs, index, dustjacket a little rubbed & grubby, internally a fine copy. A history of the amateur printer & publisher who , with their own printing press have been fascinated by producing their own books & broadsides. From the early days of moveable type when scholars such as Tycho Brae printed their own theories to the modern private press which produces finely printed works. 1400 grams. Seller Inventory # 26429
Book Description Hardcover. Condition: Near Fine. 4to (25.5 cm), front., 376 pp, 72 plates. Publisher's cloth and dust jacket (dj defective, part of spine missing). From the library of Marianne Delvaux-Diercxsens (bookplate mounted on front free endpaper). "Ever since Gutenberg's invention of printing from movable types five hundred years ago, as well as commercial printers there have been amateurs who have been fascinated by the authority which printing confers on the written word. Previous studies have in the main been limited to those private presses which from William Morris's Kelmscott onwards have been concerned with the production of fine books. Roderick Cave examines the earlier presses as well, from those set up by penurious scholars to print their own books to those of aristocrats like Horace Walpole or Frederick the Great who had presses as playthings; from the presses which have operated secretly to avoid censorship to those which regarded printing as a fine art. He describes representative presses of these different kinds, examining the equipment they used and the books they produced. Particular attention is paid to the growth of printing as a middle-class hobby in Victorian England, and to the postwar revival of printing for pleasure. As editor of the Private Libraries Association's annual bibliography Private Press Books, the author is particularly well qualified to describe and assess the work of contemporary private presses in Britain and the United States." (from the blurb). Seller Inventory # 006516
Book Description Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. First edition, first impression with no statement of further printings. A nice copy of the first edition. Boards rubbed at tips else fine, jacket shows some edgewear and a couple closed tears. Quarto, orange boards, 376 pages, pictorial jacket. 0571094430. Seller Inventory # ABE-1645149888950
Book Description 1971. Faber & Faber. Hardback. Book - VG. Ex-lib. DJ - Good. Seller Inventory # 40608
Book Description hardback with dustjacket. Dustjacket some discolouration, light edgewear. Seller Inventory # 20503935
Book Description Hardcover. Condition: Fair. 376 p. Seller Inventory # NT0009
Book Description Hardcover. Condition: Near Fine. 4to (25.5 cm), front., 376 pp, 72 plates. Publisher's cloth and dust jacket (dj slightly rubbed at extremities). "Ever since Gutenberg's invention of printing from movable types five hundred years ago, as well as commercial printers there have been amateurs who have been fascinated by the authority which printing confers on the written word. Previous studies have in the main been limited to those private presses which from William Morris's Kelmscott onwards have been concerned with the production of fine books. Roderick Cave examines the earlier presses as well, from those set up by penurious scholars to print their own books to those of aristocrats like Horace Walpole or Frederick the Great who had presses as playthings; from the presses which have operated secretly to avoid censorship to those which regarded printing as a fine art. He describes representative presses of these different kinds, examining the equipment they used and the books they produced. Particular attention is paid to the growth of printing as a middle-class hobby in Victorian England, and to the postwar revival of printing for pleasure. As editor of the Private Libraries Association's annual bibliography Private Press Books, the author is particularly well qualified to describe and assess the work of contemporary private presses in Britain and the United States." (from the blurb). Seller Inventory # 008916