Nashe comes into an inheritance and decides to pursue a life of freedom. He meets Pozzi, a gambler, who exerts a terrible fascination over him, and together they take a desperate gamble. By the author of "The New York Trilogy", "Moon Palace" and "The Invention of Solitude".
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Paul Auster was born in Newark, New Jersey in the United States in 1947. He graduated from Columbia University with an MA degree. In 1970 he worked as a merchant seaman on an Esso oil tanker. From 1971 to 1974 he lived in France, spending two years in Paris and one in Provence. After returning to New York in 1974, he began his writing career.Throughout the 1970s he wrote mainly poetry and essays which appeared in various magazines including the New York Review of Books. During the 1980s he concentrated on prose writing: a memoir and four novels were published.His screenplay Smoke and Blue in the Face was published in April 1996 to coincide with the release of the film, and in 1999 Faber published the screenplay Lulu on the Bridge. The Art of Hunger (a collection of essays, interviews and prose) and his Selected Poems were published in November 1998.He is the author of nine novels, including The New York Trilogy</
Auster's ( Moon Palace ; the New York Trilogy) offbeat and strangely compelling black comedy invites speculation about the counterpointing of choice and chance, and carries resonances of Samuel Beckett. With a windfall of nearly $200,000, Jim Nashe abandons his stalled life, leaves his small daughter Juliette with Minnesota relatives and compulsively drives around the country for a year. He meets a frail, spunky, badly beaten youngster, self-advertised jackpot winner Jack Pozzi, and agrees to finance Pozzi in an epic poker match against an apparently childlike but actually malign pair named Flower and Stone in their remote mansion. Ruined in the game, Nashe and Pozzi try to work off their huge debt by building a wall out of 10,000 stones from an imported Irish castle, under the baleful overseer Murks, who gets Nashe's prized car. Affection springs up between Nashe and "the kid," Pozzi, but optimism erodes as their plight becomes clear, disaster befalls Pozzi and numbing toil stretches endlessly. In his lucid, captivating yarn, Auster quietly raises disturbing questions of servants and masters, of loyalty, freedom and the inexplicable urge to kill. 25,000 first printing; author tour.
Copyright 1990 Reed Business Information, Inc.
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