This text contains Arnold Schoenberg's thoughts on classical and romantic harmony. It presents a resume of the principles of the "Theory of Harmony", then demonstrates the concept of "monotonality". The music examples range from the entire development sections of classical symphonies. Ninety integrated music examples range fromthe entire development sections of classical symphonies to analyses of the harmonic progressions of Strauss, Debussy, Reger and his own early music.
"synopsis" may belong to another edition of this title.
Arnold Schoenberg (1874-1951) was an Austrian composer, later moving to the United States, and was leader of the Second Viennese School. In the 1920s, Schoenberg developed the twelve-tone technique, and his approach, both in terms of harmony and development, is among the major landmarks of twentieth-century musical thought. The extraordinary scope of Schoenberg's intelligence, and the often prophetic character of his insights, make his writings on music an indispensable source for anyone interested in the complex history of twentieth-century music.Arnold Schoenberg (1874-1951) was an Austrian composer, later moving to the United States, and was leader of the Second Viennese School. In the 1920s, Schoenberg developed the twelve-tone technique, and his approach, both in terms of harmony and development, is among the major landmarks of 20th century musical thought. The extraordinary scope of Schoenberg's intelligence, and the often prophetic character of his insights, make his writings on music an indispensable source for anyone interested in the complex history of 20th century music.
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Seller: WeBuyBooks, Rossendale, LANCS, United Kingdom
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Paperback. Condition: new. Paperback. First published in 1948, Structural Functions of Harmony is Schoenberg's last theoretical work and contains his ultimate thoughts on classical and romantic harmony. The opening chapters are a resume of the basic principles of the early Theory of Harmony; the subsequent chapters demonstrate the concept of 'monotonality', whereby all modulations to different keys within a movement are analysed not in relation to each other but in terms of the irrelationship to one central tonality (tonic) as the centre of all harmonic change. Schoenberg's music examples range from the entire development sections of classical symphonies to analyses of the harmonic progressions of Strauss, Debussy, Reger, and his own early music. First published in 1948, Structural Functions of Harmony is Schoenberg's last theoretical work and contains his ultimate thoughts on classical and romantic harmony. The many music examples range from the entire development sections of classical symphonies to analyses of the harmonic progressions of Strauss, Debussy, Reger, and his own early music. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780571196579
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # GB-9780571196579
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. Main. First published in 1948, Structural Functions of Harmony is Schoenberg's last theoretical work and contains his ultimate thoughts on classical and romantic harmony. The opening chapters are a resume of the basic principles of the early Theory of Harmony; the subsequent chapters demonstrate the concept of 'monotonality', whereby all modulations to different keys within a movement are analysed not in relation to each other but in terms of the irrelationship to one central tonality (tonic) as the centre of all harmonic change. Schoenberg's music examples range from the entire development sections of classical symphonies to analyses of the harmonic progressions of Strauss, Debussy, Reger, and his own early music. Seller Inventory # LU-9780571196579
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condition: New. Main. First published in 1948, Structural Functions of Harmony is Schoenberg's last theoretical work and contains his ultimate thoughts on classical and romantic harmony. The opening chapters are a resume of the basic principles of the early Theory of Harmony; the subsequent chapters demonstrate the concept of 'monotonality', whereby all modulations to different keys within a movement are analysed not in relation to each other but in terms of the irrelationship to one central tonality (tonic) as the centre of all harmonic change. Schoenberg's music examples range from the entire development sections of classical symphonies to analyses of the harmonic progressions of Strauss, Debussy, Reger, and his own early music. Seller Inventory # LU-9780571196579
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # GB-9780571196579
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Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Paperback. Condition: Very Good. First published in 1948, Structural Functions of Harmony is Schoenberg's last theoretical work and contains his ultimate thoughts on classical and romantic harmony. The opening chapters are a resume of the basic principles of the early Theory of Harmony; the subsequent chapters demonstrate the concept of 'monotonality', whereby all modulations to different keys within a movement are analysed not in relation to each other but in terms of the irrelationship to one central tonality (tonic) as the centre of all harmonic change. Schoenberg's music examples range from the entire development sections of classical symphonies to analyses of the harmonic progressions of Strauss, Debussy, Reger, and his own early music. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR003615897
Quantity: 2 available