Stealing the Mona Lisa - Softcover

Leader, Darian

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9780571212637: Stealing the Mona Lisa

Synopsis

Darian Leader is one of the finest popular writers using the psychoanalytical insights of Freud and Lacan to understand the contemporary state of love, life, and letters. In Stealing the Mona Lisa he turns his attentions to art. The book is not really about the theft of the Mona Lisa from the Louvre in 1911. For Leader, the story of the theft provides a leitmotif for his elegant discussion of what we find art so seductive, but ultimately frustrating and perhaps disappointing. Leader begins by asking if "the story of the 'Mona Lisa's' disappearance can tell us something about art and why we look at it." He is fascinated by the fact that the painting's absence drew crowds, and asks, "might this give us a clue as to why we look at visual art? Are we looking for something that we have lost?"

This is an elegant and witty book that uses the insights of Freud and primarily Lacan to offer a range of amusing but often striking accounts of why we look at art, the importance of the gaze and the look, the significance of emptiness and incompleteness in art, and why artists create what appear to many to be incomprehensible works. Erudite and wide-ranging, Leader moves from a comparison of Leonardo's painted smile to a symbolic penis, to the artist Yinka Shonibare's observation that painting "was a way of staying out of hospital," which leads Leader to conclude that "the only people who don't sublimate are artists." Stealing the Mona Lisa doesn't always convince, but Leader's ability to explain complex theoretical ideas without oversimplification makes this a fascinating psychoanalytical version of John Berger's classic Ways of Seeing. For Leader, the point is to understand what art stops us seeing. --Jerry Brotton

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Review

Darian Leader is one of the finest popular writers using the psychoanalytical insights of Freud and Lacan to understand the contemporary state of love, life, and letters. In Stealing the Mona Lisa he turns his attentions to art. The book is not really about the theft of the Mona Lisa from the Louvre in 1911. For Leader, the story of the theft provides a leitmotif for his elegant discussion of why we find art so seductive, but ultimately frustrating and perhaps disappointing. Leader begins by asking if "the story of the 'Mona Lisa's' disappearance can tell us something about art and why we look at it." He is fascinated by the fact that the painting's absence drew crowds, and asks, "might this give us a clue as to why we look at visual art? Are we looking for something that we have lost?"

This is an elegant and witty book that uses the insights of Freud and primarily Lacan to offer a range of amusing but often striking accounts of why we look at art, the importance of the gaze and the look, the significance of emptiness and incompleteness in art, and why artists create what appear to many to be incomprehensible works. Erudite and wide-ranging, Leader moves from a comparison of Leonardo's painted smile to a symbolic penis, to the artist Yinka Shonibare's observation that painting "was a way of staying out of hospital," which leads Leader to conclude that "the only people who don't sublimate are artists." Stealing the Mona Lisa doesn't always convince, but Leader's ability to explain complex theoretical ideas without oversimplification makes this a fascinating psychoanalytical version of John Berger's classic Ways of Seeing. For Leader, the point is to understand what art stops us seeing. --Jerry Brotton

About the Author

Darian Leader is a psychoanalyst and a founder member of the Centre for Freudian Analysis and Research in London. He is the author of, among others, Why do women write more letters than they post?, Promises lovers make when it gets late, Freud's Footnotes, Stealing the Mona Lisa, Why Do People Get Ill? and The New Black.

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Other Popular Editions of the Same Title

9781593760397: Stealing the Mona Lisa: What Art Stops Us From Seeing

Featured Edition

ISBN 10:  1593760396 ISBN 13:  9781593760397
Publisher: Counterpoint, 2004
Softcover