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Paul Auster is the best-selling author of Invisible, Moon Palace, Mr Vertigo, The Brooklyn Follies, The Book of Illusions and The New York Trilogy, among many other works. In 2006 he was awarded the Prince of Asturias Prize for Literature and inducted into the American Academy of Arts and Letters. Among his other honours are the Independent Spirit Award for the screenplay of Smoke and the Prix Medicis Etranger for Leviathan. He has also been short-listed for both the International IMPAC Dublin Literary Award (The Book of Illusions) and the PEN/Faulkner Award for Fiction (The Music of Chance). His work has been translated into more than thirty languages. He lives in Brooklyn, New York.
The arresting stories in this slim collection by Auster (The New York Trilogy, etc.) go a long way toward answering the perennial question "Why write?" The book contains four short narratives: "The Red Notebook," "It Don't Mean a Thing," "Accident Report" and "Why Write?" All the tales and vignettes, hovering somewhere between fact and fiction, feature amazing little coincidences or linkages. In one brief chapter, Auster (as protagonist) loses a dime in a gutter in Brooklyn only to look down and find a dime later the same day. In another, he checks into a hotel room in an obscure hotel in Paris and finds a crumpled message from the desk to a close friend the previous occupant of the room. The most affecting stories, however, recount a more ineffable sense of connection: Auster makes it to the foot of a staircase to catch his little daughter just in time to keep her from sailing through a window; as a boy at summer camp, he is on a group hike when the boy next to him is struck by lightning and killed. What all the stories have in common is not a fixed outcome or meaning but a sense of the patterned meaningfulness of life. Readers will glimpse here how the act of witnessing itself provides the punch line. As Auster learned the hard way when he met Willie Mays one day and didn't have a pencil to get an autograph, the sense of wonder burgeons when we can record its source on paper.
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Paperback. Condition: new. Paperback. In this acrobatic and virtuosic collection, Paul Auster traces the compulsion to make literature. In a selection of interviews, as well as in the collection's title essay, Auster reflects upon his own work, on the need to break down the boundary between living and writing, and on the use of certain genre conventions to penetrate matters of memory and identity.The Red Notebook both undermines and illuminates our accepted notions about literature, and guides us towards a finer understanding of the dangerous stakes of writing. It also includes Auster's impassioned essay 'A Prayer for Salman Rushdie', as well as a set of striking and bittersweet reminiscences collected under the apposite title, 'Why Write?' In this acrobatic and virtuosic collection, Paul Auster traces the compulsion to make literature. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780571226412
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Paperback. Condition: New. Main. In this acrobatic and virtuosic collection, Paul Auster traces the compulsion to make literature. In a selection of interviews, as well as in the essay 'The Red Notebook' itself, Auster reflects upon his own work, on the need to break down the boundary between living and writing, and on the use of certain genre conventions to penetrate matters of memory and identity. The Red Notebook both illuminates and undermines our accepted notions about literature, and guides us towards a finer understanding of the dangerously high stakes involved in writing. It also includes Paul Auster's impassioned essay 'A Prayer for Salman Rushdie', as well as a set of striking and bittersweet reminiscences collected under the apposite title, 'Why Write?'. Seller Inventory # LU-9780571226412
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Condition: New. 2005. Main. Paperback. A collection, in which, the author traces the compulsion to make literature. In a selection of interviews, as well as in the essay 'The Red Notebook' itself, he reflects upon his own work, on the need to break down the boundary between living and writing, and on the use of certain genre conventions to penetrate matters of memory and identity. Num Pages: 192 pages. BIC Classification: DNF. Category: (G) General (US: Trade). Dimension: 197 x 127 x 13. Weight in Grams: 158. . . . . . Books ship from the US and Ireland. Seller Inventory # V9780571226412
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Condition: Very Good+. 1st Uk pb. A 1st Uk pb ed. very good+ paperback, minor signs of wear as in image, text clean tight, has some notes on back end p. Paul Auster has earned international praise for the imaginative power of his many novels, including The New York Trilogy, Moon Palace, The Music of Chance, Mr. Vertigo, and Timbuktu. He has also published a number of highly original non-fiction works: The Invention of Solitude, Hand to Mouth, and The Art of Hunger. In The Red Notebook, Auster again explores events from the real world large and small, tragic and comicâÂÂ"that reveal the unpredictable, shifting nature of human experience. A burnt onion pie, a wrong number, a young boy struck by lightning, a man falling off a roof, a scrap of paper discovered in a Paris hotel roomâÂÂ"all these form the context for a singular kind of ars poetica, a literary manifesto without theory, cast in the irreducible forms of pure story telling.Also in BOOKSTALLblog other editions of The Red Notebook. Seller Inventory # PA3667
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