'The man who comes back through the Door in the Wall will never be quite the same as the man who went out'
Aldous Huxley first took mescalin in 1953 and continued his experiments with hallucinogenic drugs until 1963 when, on his deathbed, he asked for and was given LSD.
In these short but intensely illuminating essays, Aldous Huxley explores the effects of the mescalin experience, describing how the drug enabled him to discover a 'sacramental vision of reality'. He also discusses the spiritual and moral implications of the experience, demonstrating how negative emotions can transform man's perceptual Nirvana into a 'schizophrenic hell'.
Doors of Perception is a little masterpiece - concise, evocative, wise and, above all, humane
--SUNDAY TIMES
Heaven and Hellî> is written by one of the few prophets of our time
--THE OBSERVER
Front cover shows a painting by René Magritte, The Empty Mask, 1928. From the National Museum of Wales by A.D.A.G.P. Paris, 1976
"synopsis" may belong to another edition of this title.
Sometimes a writer has to revisit the classics, and here we find that "gonzo journalism"--gutsy first-person accounts wherein the author is part of the story--didn't originate with Hunter S. Thompson or Tom Wolfe. Aldous Huxley took some mescaline and wrote about it some 10 or 12 years earlier than those others. The book he came up with is part bemused essay and part mystical treatise--"suchness" is everywhere to be found while under the influence. This is a good example of essay writing, journal keeping, and the value of controversy--always--in one's work.
In 1953, Aldous Huxley took four-tenths of a gram of the drug Mescalin, sat down and waited to see what would happen. When he opened his eyes everything was transformed. He describes his experience in The Doors of Perception and its sequel Heaven and Hell.
"About this title" may belong to another edition of this title.
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