A thrilling epic about an ancient clash reignited in our time- between a hidden society and heaven's darkest creatures
There were giants in the earth in those days; and also after that, when the sons of God came in unto the daughters of men, and they bore children to them.
Sister Evangeline was just a girl when her father entrusted her to the Franciscan Sisters of Perpetual Adoration in upstate New York. Now, at twenty-three, her discovery of a 1943 letter from the famous philanthropist Abigail Rockefeller to the late mother superior of Saint Rose Convent plunges Evangeline into a secret history that stretches back a thousand years: an ancient conflict between the Society of Angelologists and the monstrously beautiful descendants of angels and humans, the Nephilim.
For the secrets these letters guard are desperately coveted by the once-powerful Nephilim, who aim to perpetuate war, subvert the good in humanity, and dominate mankind. Generations of angelologists have devoted their lives to stopping them, and their shared mission, which Evangeline has long been destined to join, reaches from her bucolic abbey on the Hudson to the apex of insular wealth in New York, to the Montparnasse cemetery in Paris and the mountains of Bulgaria.
Rich in history, full of mesmerizing characters, and wondrously conceived, Angelology blends biblical lore, the myth of Orpheus and the Miltonic visions of Paradise Lost into a riveting tale of ordinary people engaged in a battle that will determine the fate of the world.
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Danielle Trussoni’s first book, the memoir Falling Through the Earth, was selected as one of the Ten Best Books of 2006 by The New York Times Book Review. A graduate of the Iowa Writers’ Workshop, Danielle resides with her husband and two children in the south of France and regularly spends time in both Bulgaria and the United States. Her debut novel Angelology will be published in over thirty countries. Film rights were purchased outright by Sony Pictures with Will Smith’s Overbrook Entertainment producing and Marc Forester directing.
Excerpt. © Reprinted by permission. All rights reserved.:
St. Rose Convent, Hudson River Valley, Milton, New York
December 23, 1999, 4:45...
Evangeline woke before the sun came up, when the fourth floor was silent and dark. Quiet, so as not to wake the sisters who had prayed through the night, she gathered her shoes, stockings, and skirt in her arms and walked barefoot to the communal lavatory. She dressed quickly, half asleep, without looking in the mirror. From a sliver of bathroom window, she surveyed the convent grounds, covered in a predawn haze. A vast snowy courtyard stretched to the water's edge, where a scrim of barren trees limned the Hudson. St. Rose Convent perched precariously close to the river, so close that in daylight there seemed to be two convents—one on land and one wavering lightly upon the water, the first folding out into the next, an illusion broken in summer by barges and in winter by teeth of ice. Evangeline watched the river flow by, a wide strip of black against the pure white snow. Soon morning would gild the water with sunlight.
Bending before the porcelain sink, Evangeline splashed cold water over her face, dispelling the remnants of a dream. She could not recall the dream, only the impression it made upon her—a wash of foreboding that left a pall over her thoughts, a sensation of loneliness and confusion she could not explain. Half asleep, she peeled away her heavy flannel night shift and, feeling the chill of the bathroom, shivered. Standing in her white cotton briefs and cotton undershirt (standard garments ordered in bulk and distributed biyearly to all the sisters at St. Rose), she looked at herself with an appraising, analytic eye - the thin arms and legs, the flat stomach, the tousled brown hair, the golden pendant resting upon her breastbone. The reflection floating on the glass before her was that of a sleepy young woman.
Evangeline shivered again from the cool air and turned to her clothing. She owned five identical knee-length black skirts, seven black turtlenecks for the winter months, seven black short-sleeved cotton button-up shirts for the summer, one black wool sweater, fifteen pairs of white cotton underwear, and innumerable black nylon stockings: nothing more and nothing less than what was necessary. She pulled on a turtleneck and fitted a bandeau over her hair, pressing it firmly against her forehead before clipping on a black veil. She stepped into a pair of nylons and a wool skirt, buttoning, zipping, and straightening the wrinkles in one quick, unconscious gesture. In a matter of seconds, her private self disappeared and she became Sister Evangeline, Franciscan Sister of Perpetual Adoration. With her rosary in hand, the metamorphosis was complete. She placed her nightgown in the bin at the far end of the lavatory and prepared to face the day.
Sister Evangeline had observed the 5:00 a.m. prayer hour each morning for the past half decade, since completing her formation and taking vows at eighteen years of age. She had lived at St. Rose Convent since her twelfth year, however, and knew the convent as intimately as one knows the temperament of a beloved friend. She had her morning route through the compound down to a science. As she rounded each floor, her fingers traced the wooden balustrades, her shoes skimming the landings. The convent was always empty at that hour, blue-shadowed and sepulchral, but after sunrise St. Rose would swarm with life, a beehive of work and devotion, each room glistening with sacred activity and prayer. The silence would soon abate - the staircases, the community rooms, the library, the communal cafeteria, and the dozens of closet-size bedchambers would soon be alive with sisters.
Down three flights of stairs she ran. She could get to the chapel with her eyes closed.
Reaching the first floor, Sister Evangeline walked into the imposing central hallway, the spine of St. Rose Convent. Along the walls hung framed portraits of long-dead abbesses, distinguished sisters, and the various incarnations of the convent building itself. Hundreds of women stared from the frames, reminding every sister who passed by on her way to prayer that she was part of an ancient and noble matriarchy where all women - both the living and the dead - were woven together in a single common mission.
Although she knew she risked being late, Sister Evangeline paused at the center of the hallway. Here, the image of Rose of Viterbo, the saint after whom the convent had been named, hung in a gilt frame, her tiny hands folded in prayer, an evanescent nimbus of light glowing about her head. St. Rose's life had been short. Just after her third birthday, angels began to whisper to her, urging her to speak their message to all who would listen. Rose complied, earning her sainthood as a young woman, when, after preaching the goodness of God and His angels to a heathen village, she was condemned to die a witch. The townspeople bound her to a stake and lit a fire. To the great consternation of the crowd, Rose did not burn but stood in skeins of flame for three hours, conversing with angels as the fire licked her body. Some believed that angels wrapped themselves about the girl, covering her in a clear, protective armor. Eventually she died in the flames, but the miraculous intervention left her body inviolable. St. Rose's incorrupt corpse was paraded through the streets of Viterbo hundreds of years after her death, not the slightest mark of her ordeal evident upon the adolescent body.
Remembering the hour, Sister Evangeline turned from the portrait. She walked to the end of the hallway, where a great wooden portal carved with scenes of the Annunciation separated the convent from the church. On one side of the boundary, Sister Evangeline stood in the simplicity of the convent; on the other rose the majestic church. She heard the sound of her footsteps sharpen as she left carpeting for a pale roseate marble veined with green. The movement across the threshold took just one step, but the difference was immense. The air grew heavy with incense; the light saturated blue from the stained glass. White plaster walls gave way to great sheets of stone. The ceiling soared. The eye adjusted to the golden abundance of Neo-Rococo. As she left the convent, Evangeline's earthly commitments of community and charity fell away and she entered the sphere of the divine: God, Mary, and the angels.
In the beginning years of her time at St. Rose, the number of angelic images in Maria Angelorum Church struck Evangeline as excessive. As a girl she'd found them overwhelming, too ever-present and overwrought. The creatures filled every crook and crevice of the church, leaving little room for much else. Seraphim ringed the central dome; marble archangels held the corners of the altar. The columns were inlaid with golden halos, trumpets, harps, and tiny wings; carved visages of putti stared from the pew ends, hypnotizing and compact as fruit bats. Although she understood that the opulence was meant as an offering to the Lord, a symbol of their devotion, Evangeline secretly preferred the plain functionality of the convent. During her formation she felt critical of the founding sisters, wondering why they had not used such wealth for better purposes. But, like so much else, her objections and preferences had shifted after she took the habit, as if the clothing ceremony itself caused her to melt ever so slightly and take a new, more uniform shape. After five years as a professed sister, the girl she had been had nearly faded away.
Pausing to dip her index finger into a fount of holy water, Sister Evangeline blessed herself (forehead, heart, left shoulder, right shoulder) and stepped through the narrow Romanesque basilica, past the fourteen Stations of the Cross, the straight-backed red oak pews, and the marble columns. As the light was dim at that hour, Evangeline followed the wide central aisle through the nave to the sacristy, where chalices and bells and vestments were locked in cupboards, awaiting Mass. At the far end of the sacristy, she came to a door. Taking a deep breath, Evangeline closed her eyes, as if preparing them for a greater brightness. She placed her hand on the cold brass knob and, heart pounding, pushed.
The Adoration Chapel opened around her, bursting upon her vision. Its walls glittered golden, as if she had stepped into the center of an enameled Fabergé egg. The private chapel of the Franciscan Sisters of Perpetual Adoration had a high central dome and huge stained-glass panels that filled each wall. The central masterpiece of the Adoration Chapel was a set of Bavarian windows hung high above the altar depicting the three angelic spheres: the First Sphere of Seraphim, Cherubim, and Thrones; the Second Sphere of Dominions, Virtues, and Powers; and the Third Sphere of Principalities, Archangels, and Angels. Together the spheres formed the heavenly choir, the collective voice of heaven. Each morning Sister Evangeline would stare at the angels floating in an expanse of glittering glass and try to imagine their native brilliance, the pure radiant light that rose from them like heat.
Sister Evangeline spied Sisters Bernice and Boniface - scheduled for adoration each morning from four to five - kneeling before the altar. Together the sisters ran their fingers over the carved wooden beads of their seven-decade rosaries, as if intent to whisper the very last syllable of prayer with as much mindfulness as they had whispered the first. One could find two sisters in full habit kneeling side by side in the chapel at all times of the day and night, their lips moving in synchronized patterns of prayer, conjoined in purpose before the white marble altar. The object of the sisters' adoration was encased in a golden starburst monstrance placed high upon the altar, a white host suspended in an explosion of gold.
The Franciscan Sisters of Perpetual Adoration had prayed every minute of every hour of every day since Mother Francesca, their founding abbess, had initiated adoration in the early nineteenth century. Nearly two hundred years later, the prayer persisted, forming the longest, most persistent chain of perpetual prayer in the world. For the sisters, time passed with the bending of knees and the soft clicking of rosary beads and the daily journey from the convent to the Adoration Chapel. Hour after hour they arrived at the chapel, crossed themselves, and knelt in humility before the Lord. They prayed by morning light; they prayed by candlelight. They prayed for peace and grace and the end of human suffering. They prayed for Africa and Asia and Europe and the Americas. They prayed for the dead and for the living. They prayed for their fallen, fallen world.
Blessing themselves in tandem, Sisters Bernice and Boniface left the chapel. The black skirts of their habits - long, heavy garments of more traditional cut than Sister Evangeline's post-Vatican II attire - dragged along the polished marble floor as they made way for the next set of sisters to take their place.
Sister Evangeline sank into the foam cushion of a kneeler, the cover of which was still warm from Sister Bernice. Ten seconds later Sister Philomena, her daily prayer partner, joined her. Together they continued a prayer that had begun generations before, a prayer that ran through each sister of their order like a chain of perpetual hope. A golden pendulum clock, small and intricate, its cogs and wheels clicking with soft regularity under a protective glass dome, chimed five times. Relief flooded Evangeline's mind: Everything in heaven and earth was perfectly on schedule. She bowed her head and began to pray. It was exactly five o'clock.
In recent years Evangeline had been assigned to work in the St. Rose library as assistant to her prayer partner, Sister Philomena. It was an unglamorous position to be sure, not at all as high-profile as working in the Mission Office or assisting in Recruitment, and it had none of the rewards of charity work. As if to emphasize the lowly nature of the position, Evangeline’s office was located in the most decrepit part of the convent, a drafty section of the first floor down the hall from the library itself, with leaky pipes and Civil War-era windows, a combination that led to dampness, mold, and an abundance of head colds each winter. In fact, Evangeline had been afflicted with a number of respiratory infections in the past months, causing her a shortness of breath that she blamed entirely on drafts.
The saving grace of Evangeline's office was the view. Her worktable abutted a window on the northeast side of the grounds, overlooking the Hudson River. In the summer her window would perspire, giving the impression that the exterior world was steamy as a rain forest; in the winter the window would frost, and she would half expect a rookery of penguins to waddle into sight. She would chip the thin ice with a letter opener and gaze out as freight trains rolled alongside the river and barges floated upon it. From her desk she could see the thick stone wall that wrapped about the grounds, an impregnable border between the sisters and the outside world. While the wall was a remnant from the nineteenth century, when the nuns kept themselves physically apart from the secular community, it remained a substantial edifice in the FSPA imagination. Five feet high and two feet wide, it formed a stalwart impediment between worlds pure and profane.
Each morning after her five o'clock prayer hour, breakfast, and morning Mass, Evangeline stationed herself at the rickety table under the window of her office. She called the table her desk, although there were no drawers to its credit and nothing approximating the mahogany sheen of the secretary in Sister Philomena's office. Still, it was wide and tidy, with all the usual supplies. Each day she straightened her calendar blotter, arranged her pencils, tucked her hair neatly behind her veil, and got to work. Perhaps because the majority of the St. Rose mail came in regard to their collection of angelic images - the main index of which was located in the library - all convent correspondence ended up in Evangeline's care. Evangeline collected the mail each morning from the Mission Office on the first floor, filling a black cotton bag with letters and returning to her desk to sort them. It became her duty to file the letters in an orderly system (first by date, then alphabetically by surname) and respond to inquiries on their official St. Rose stationery, a chore she completed at the electric typewriter in Sister Philomena's office, a much warmer space that opened directly upon the library.
The job proved quiet, categorical, and regular, qualities that suited Evangeline. At twenty-three, she was content to believe that her appearance and character were fixed - she had large green eyes, dark hair, pale skin, and a contemplative demeanor. After professing her final vows, she had chosen to dress in plain dark clothing, a uniform she would keep the rest of her life. She wore no adornments at all except for a gold pendant, a tiny lyre that had belonged to her mother. Although the pendant was beautiful, the antique lyre finely wrought gold, for Evangeline its value remained purely emotional. She had inherited it upon her mother's death. Her grandmother, Gabriella Lévi-Franche Valko, had brought the necklace to ...
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