Every day people tune in to The Writer's Almanac on public radio and hear Garrison Keillor read them a poem. And here, for the first time, is an anthology of poems from the show, chosen by the narrator for their wit, their frankness, their passion, their "utter clarity in the face of everything else a person has to deal with at 7 a.m."
The title Good Poems comes from common literary parlance. For writers, it's enough to refer to somebody having written a good poem. Somebody else can worry about greatness. Mary Oliver's "Wild Geese" is a good poem, and so is James Wright's "A Blessing." Regular people love those poems. People read them aloud at weddings, people send them by e-mail.
Good Poems includes poems about lovers, children, failure, everyday life, death, and transcendance. It features the work of classic poets, such as Emily Dickinson, Walt Whitman, and Robert Frost, as well as the work of contemporary greats such as Howard Nemerov, Charles Bukowski, Donald Hall, Billy Collins, Robert Bly, and Sharon Olds. It's a book of poems for anybody who loves poetry whether they know it or not.
"synopsis" may belong to another edition of this title.
Adult/High School-Keillor, host of the PBS radio show A Prairie Home Companion, has put together a collection of close to 300 poems he has read during yet another PBS broadcast, The Writer's Almanac. In an amusing introduction, he shares his thoughts on what makes a good poem. It's no big surprise that he purports to dislike literary works that, to him, smack of pretentiousness. A few selections openly poke fun at certain kinds of literature ("A Bookmark") or humorously defend humble things ("The Iceberg Theory"). Poems are arranged by 19 general themes, such as "Snow," "Failure," and "A Good Life." Authors range from well-known oldies like Emily Dickinson and Robert Frost to unknowns like C.K. Williams, who "played college basketball and lived for many years in Philadelphia." A delightful section at the end of the book offers biographical sketches of the featured authors. Keillor's choices lean heavily toward works that tell a good story or paint a tangible picture. Alongside poems with bucolic scenery are plenty of selections about everyday emotions and relationships. An outstanding feature of this collection is that the selections are all so accessible-even folks who say they don't like poetry can find something here to enjoy.
Sheila Shoup, Fairfax County Public Library, VA
Copyright 2003 Reed Business Information, Inc.
Poetry is a regular feature on Garrison Keillor's NPR radio show A Prairie Home Companion, but for the last five years, it has formed the core of The Writer's Almanac, a daily, five-minute, 7 a.m. show on which Keillor reads a poem. Good Poems selects 350 pieces of verse from among the thousands that have been read on the Almanac for "Stickiness, memorability.... You hear it and a day later some of it is still there in the brainpan." Divided by subject-beginning with "O Lord," moving through "Day's Work," "Sons and Daughters" and through to "The End" and "The Resurrection"-the book includes work by writers past (Burns, Dickinson, Bishop, Williams, Shakespeare) and present: Robert Hass, Lisel Mueller, Tom Disch, among many others.
Copyright 2002 Reed Business Information, Inc.
*Starred Review* No false advertising here; just, as compiler Keillor says, good poems, written accessibly in common language by English-language writers, including a preponderance of twentieth-century hands but also Shakespeare and the bard who chanted the good old ballad "Sir Patrick Spens." Keillor originally chose them to read on his five-minute radio spot, The Writer's Almanac, and selected the poems for being memorable as well as recitable. It is astonishing how sound his judgment is. Poem after poem is as good as, and sometimes even better than, its predecessor. Keillor presents them in 19 topical sections, from "O Lord," made up of prayers sincere and satirical (one of the latter is Thomas Lux's book-opener, "Poem in Thanks," which concludes "Lord, thank you / for the goddamn birds singing"), to "The Resurrection," whose reverent contents are sometimes less Christian than the section title suggests (see "Here" by Grace Paley). That Keillor doesn't shy away from religious feeling is one virtue of the anthology, and his inclusion of vulgarity and earthiness is no vice, though occasionally it seems amazing that he spoke a particular poem in the staid medium of radio. Perhaps the one quality that obtains throughout is homeliness, not in the sense of ugliness but in that of domesticity; even the journeys pondered in the section called "Trips" are neither far away nor exotic. These are poems to live in comfort with all one's life. Ray Olson
Copyright © American Library Association. All rights reserved
Poem in Thanks
Thomas Lux
Lord Whoever, thank you for this air
I'm about to in- and exhale, this hutch
in the woods, the wood for fire,
the light-both lamp and the natural stuff
of leaf-back, fern, and wing.
For the piano, the shovel
for ashes, the moth-gnawed
blankets, the stone-cold water
stone-cold: thank you.
Thank you, Lord, coming for
to carry me here-where I'll gnash
it out, Lord, where I'll calm
and work, Lord, thank you
for the goddamn birds singing!
How Many Nights
Galway Kinnell
How many nights
have I lain in terror,
O Creator Spirit, Maker of night and day,
only to walk out
the next morning over the frozen world
hearing under the creaking of snow
faint, peaceful breaths...
snake,
bear, earthworm, ant...
and above me
a wild crow crying 'yaw yaw yaw'
from a branch nothing cried from ever in my life.
Welcome Morning
Anne Sexton
There is joy
in all:
in the hair I brush each morning,
in the Cannon towel, newly washed,
that I rub my body with each morning,
in the chapel of eggs I cook
each morning,
in the outcry from the kettle
that heats my coffee
each morning,
in the spoon and the chair
that cry "hello there, Anne"
each morning,
in the godhead of the table
that I set my silver, plate, cup upon
each morning.
All this is God,
right here in my pea-green house
each morning
and I mean,
though often forget,
to give thanks,
to faint down by the kitchen table
in a prayer of rejoicing
as the holy birds at the kitchen window
peck into their marriage of seeds.
So while I think of it,
let me paint a thank-you on my palm
for this God, this laughter of the morning,
lest it go unspoken.
The Joy that isn't shared, I've heard,
dies young.
Psalm 23
from The Bay Psalm Book
The Lord to me a shepherd is,
want therefore shall not I:
He in the folds of tender grass,
doth cause me down to lie:
To waters calm me gently leads
restore my soul doth he:
He doth in paths of righteousness
for his name's sake lead me.
Yea, though in valley of death's shade
I walk, none ill I'll fear:
Because thou art with me, thy rod,
and staff my comfort are.
For me a table thou hast spread,
in presence of my foes:
Thou dost anoint my head with oil;
my cup it overflows.
Goodness and mercy surely shall
all my days follow me:
And in the Lord's house I shall dwell
so long as days shall be.
At Least
Raymond Carver
I want to get up early one more morning,
before sunrise. Before the birds, even.
I want to throw cold water on my face
and be at my work table
when the sky lightens and smoke
begins to rise from the chimneys
of the other houses.
I want to see the waves break
on this rocky beach, not just hear them
break as I did all night in my sleep.
I want to see again the ships
that pass through the Strait from every
seafaring country in the world-
old, dirty freighters just barely moving along,
and the swift new cargo vessels
painted every color under the sun
that cut the water as they pass.
I want to keep an eye out for them.
And for the little boat that plies
the water between the ships
and the pilot station near the lighthouse.
I want to see them take a man off the ship
and put another up on board.
I want to spend the day watching this happen
and reach my own conclusions.
I hate to seem greedy-I have so much
to be thankful for already.
But I want to get up early one more morning, at least.
And go to my place with some coffee and wait.
Just wait, to see what's going to happen.
Address to the Lord
John Berryman
1
Master of beauty, craftsman of the snowflake,
inimitable contriver,
endower of Earth so gorgeous & different from the boring Moon,
thank you for such as it is my gift.
I have made up a morning prayer to you
containing with precision everything that most matters.
'According to Thy will' the thing begins.
It took me off & on two days. It does not aim at eloquence.
You have come to my rescue again & again
in my impassable, sometimes despairing years.
You have allowed my brilliant friends to destroy themselves
and I am still here, severely damaged, but functioning.
Unknowable, as I am unknown to my guinea pigs:
How can I 'love' you?
I only as far as gratitude & awe
confidently & absolutely go.
I have no idea whether we live again.
It doesn't seem likely
from either the scientific or the philosophical point of view
but certainly all things are possible to you,
and I believe as fixedly in the Resurrection-appearances to Peter and
to Paul
as I believe I sit in this blue chair.
Only that may have been a special case
to establish their initiatory faith.
Whatever your end may be, accept my amazement.
May I stand until death forever at attention
for any your least instruction or enlightenment.
I even feel sure you will assist me again, Master of insight & beauty.
Philip Appleman
O Karma, Dharma, pudding and pie,
gimme a break before I die:
grant me wisdom, will, & wit,
purity, probity, pluck, & grit.
Trustworthy, loyal, helpful, kind,
gimme great abs & a steel-trap mind,
and forgive, Ye Gods, some humble advice-
these little blessings would suffice
to beget an earthly paradise:
make the bad people good-
and the good people nice;
and before our world goes over the brink,
teach the believers how to think.
Reprinted from Good Poems by Garrison Keillor, Copyright ©2002, Viking, a member of Penguin Putnam, Inc., used by permission
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