In Paul Auster's world of fiendish bargains and punitive whims, where chance is a shifting and powerful force, there is redemption, nonetheless, in Nashe's resolute quest for justice and his capacity for love.
"synopsis" may belong to another edition of this title.
Auster's ( Moon Palace ; the New York Trilogy) offbeat and strangely compelling black comedy invites speculation about the counterpointing of choice and chance, and carries resonances of Samuel Beckett. With a windfall of nearly $200,000, Jim Nashe abandons his stalled life, leaves his small daughter Juliette with Minnesota relatives and compulsively drives around the country for a year. He meets a frail, spunky, badly beaten youngster, self-advertised jackpot winner Jack Pozzi, and agrees to finance Pozzi in an epic poker match against an apparently childlike but actually malign pair named Flower and Stone in their remote mansion. Ruined in the game, Nashe and Pozzi try to work off their huge debt by building a wall out of 10,000 stones from an imported Irish castle, under the baleful overseer Murks, who gets Nashe's prized car. Affection springs up between Nashe and "the kid," Pozzi, but optimism erodes as their plight becomes clear, disaster befalls Pozzi and numbing toil stretches endlessly. In his lucid, captivating yarn, Auster quietly raises disturbing questions of servants and masters, of loyalty, freedom and the inexplicable urge to kill. 25,000 first printing; author tour.
Copyright 1990 Reed Business Information, Inc.
This insightful novel is a taut study of the self-contradictory mind living by chance while thinking it can get away with anything. Jim Nashe is a frivolous Boston fireman who needs music as a life crutch. His wife abandons him just before his father dies, leaving him money that he squanders aimlessly while driving around America. Near desperation, he meets a bitter young itinerant gambler, Jack ("Jackpot") Pozzi, who lures him into a losing poker game with two shady recluses, Flower and Stone, on their Pennsylvania estate. Nashe and Pozzi must retire their debt by building a stone wall on the premises: what this Herculean labor does to them is the novel's leitmotif. An interesting story, but some may object that the journalistic prose merely tells the story instead of showing it.
- Kenneth Mintz, formerly with Bayonne P.L., N.J.
Copyright 1990 Reed Business Information, Inc.
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