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Encouraged by his friend, Chick, to write down his ideas about humankind, university professor Abe Ravelstein receives unexpected acclaim and bounty and invites Chick to join his his success, a situation that sparks a philosophical journey for both. 125,000 first printing. First serial, The New Yorker.
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Throughout the 1980s and 1990s, Saul Bellow confined himself to shorter fictions. Not that this old master ever dabbled in minimalism: novellas such as The Actual and The Bellarosa Connection are bursting at the seams with wit, plot, and the intellectual equivalent of high fiber. Still, Bellow's readers wondered if he would ever pull another full-sized novel from his hat. With Ravelstein, the author has done just that--and he proves that even in his ninth decade, he can pin a character to the page more vividly, and more permanently, than just about anybody on the planet.
Character is very much the issue in Ravelstein, whose eponymous subject is a thinly disguised version of Bellow's boon companion, the late Allan Bloom. Like Bloom, Abe Ravelstein has spent much of his career at the University of Chicago, fighting a rearguard action against the creeping boobism and vulgarity of American life. What's more, he's written a surprise bestseller (a ringer, of course, for The Closing of the American Mind), which has made him into a millionaire. And finally, he's dying--has died of AIDS, in fact, six years before the opening of the novel. What we're reading, then, is a faux memoir by his best friend and anointed Boswell, a Bellovian body-double named Chick:
Ravelstein was willing to lay it all out for me. Now why did he bother to tell me such things, this large Jewish man from Dayton, Ohio? Because it very urgently needed to be said. He was HIV-positive, he was dying of complications from it. Weakened, he became the host of an endless list of infections. Still, he insisted on telling me over and over again what love was--the neediness, the awareness of incompleteness, the longing for wholeness, and how the pains of Eros were joined to the most ecstatic pleasures.Ravelstein is a little thin in the plot department--or more accurately, it has an anti-plot, which consists of Chick's inability to write his memoir. But seldom has a case of writer's block been so supremely productive. The narrator dredges up anecdote after anecdote about his subject, assembling a composite portrait: "In approaching a man like Ravelstein, a piecemeal method is perhaps best." We see this very worldly philosopher teaching, kvetching, eating, drinking, and dying, the last in melancholic increments. His death, and Chick's own brush with what Henry James called "the distinguished thing," give much of the novel a kind of black-crepe coloration. But fortunately, Bellow shares Ravelstein's "Nietzschean view, favorable to comedy and bandstands," and there can't be many eulogies as funny as this one.
As always, the author is lavish with physical detail, bringing not only his star but a large gallery of minor players to rude and resounding life ("Rahkmiel was a non-benevolent Santa Claus, a dangerous person, ruddy, with a red-eyed scowl and a face in which the anger muscles were highly developed"). His sympathies are also stretched in some interesting directions by his homosexual protagonist. Bellow hasn't, to be sure, transformed himself into an affirmative-action novelist. But his famously capacious view of human nature has been enriched by this additional wrinkle: "In art you become familiar with due process. You can't simply write people off or send them to hell." A world-class portrait, a piercing intimation of mortality, Ravelstein is truly that other distinguished thing: a great novel. --James MarcusFrom the Publisher:
Our 'greatest living novelist' [Jonathan Yardley, The Washington Post] returns with his first full-length novel in years.
"Simply the best writer we have"
-The New York Times Book Review
"No contemporary of ours is more consistently brilliant and more defiantly risky than Saul Bellow"
- Joyce Carol Oates, The New York Times Book Review
"His voice has the meticulous range and certainty of a cathedral choir. The wit is exquisitely mannered; the intelligence both fearless and elegant."
-The Boston Globe
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Book Description Viking Adult, 2000. Hardcover. Condition: New. New Condition, Hardcover Book, Seller Inventory # 1808110243
Book Description Viking Adult. Hardcover. Condition: New. 067084134X W/dust jacket. New and in great condition with no missing or damaged pages. We ship daily except on Sundays. Need it urgently? Upgrade to Expedited. In Stock. Seller Inventory # F1220
Book Description Viking Adult, 2000. Hardcover. Condition: New. Seller Inventory # DADAX067084134X
Book Description Viking Adult, 2000. Condition: New. book. Seller Inventory # M067084134X
Book Description Viking Adult, 2000. Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition... 1ST PRINTING Language: eng Language: eng Language: eng. Seller Inventory # BU-1522A
Book Description Viking, New York, 2000. Hard Cover. Condition: New. Dust Jacket Condition: Near Fine. First Edition. First edition and first printing. 8vo. Hard cover. 233 pp. Containing some of Bellow's deepest insights and most moving prose, this novel follows two old friends on a final trip to Paris before Abe Ravelstein, a brilliant professor of great accomplishments, dies of AIDS. Dust jacket has fold to one corner, else new. New in near fine dust jacket, protected in a mylar cover. Size: 8vo - over 7¾" - 9¾" tall. Seller Inventory # 018933
Book Description New York, New York, U.S.A.: Viking Pr, 2000. Hardcover. Condition: New. Dust Jacket Condition: New. AUTOGRAPHED 1ST EDITION,1ST PRINTING Language: eng Language: eng Language: eng Language: eng Language: eng Language: eng Language: eng Language: eng Language: eng. Seller Inventory # G-122