The wolf gives his own outlandish version of what really happened when he tangled with the three little pigs.
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"There has obviously been some kind of mistake," writes Alexander T. Wolf from the pig penitentiary where he's doing time for his alleged crimes of 10 years ago. Here is the "real" story of the three little pigs whose houses are huffed and puffed to smithereens... from the wolf's perspective. This poor, much maligned wolf has gotten a bad rap. He just happened to be in the wrong place at the wrong time, with a sneezy cold, innocently trying to borrow a cup of sugar to make his granny a cake. Is it his fault those ham dinners--rather, pigs--build such flimsy homes? Sheesh.
This 10th-anniversary edition of Jon Scieszka's New York Times Best Book of the Year, The True Story of the 3 Little Pigs!, includes a special, impassioned letter from prisoner A. Wolf himself and a snappy new jacket by Caldecott Honor artist Lane Smith, whose quirky perspectives still color the illustrations throughout. As with The Stinky Cheese Man and Other Fairly Stupid Tales, the collaborators take a classic story and send it through the wisecracker machine, much to the glee of kids young and old. (Ages 4 to 8 or much, much older) --Emilie CoulterFrom the Author:
From the desk of Lane Smith:
"A lot of reviewers have misidentified my technique as airbrush or dyes or even egg tempera. I think this is because it almost looks as if it was sprayed with paint with little dots of color and texture visible. Actually, my work is rendered in oil paints. I paint on board, building up several thin glazes of the oil, sealing them between coats with an acrylic spray varnish. This not only dries the oil instantly, but also causes a chemical reaction between the oil and the acrylic. Normally, it would be a mistake to combine two opposites like this and in fact it was a mistake the first time I did it, but I liked the results. I'm a big fan of artists who play with surfaces. I love texture and grunge. The trick is to know when to stop. Sometimes I keep adding more and more layers until I've ruined the piece. Usually I stop when the painting starts to look interesting. Then I go in with a fine brush and add details, lights and darks, etc. It's a laborious process, but it's unpredictable and it keeps me interested and surprised. Of course, I'm influenced by other illustrators too, like N.C. Wyeth, Maurice Sendak, Arthur Rackham, Edward Lear, Gustav Dore and Tomi Ungerer. I hope I can follow the path these dark illustrators have walked, or at least use the sidewalk that runs alongside it."
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Book Description Viking Juvenile, 1999. Hardcover. Book Condition: New. Lane Smith (illustrator). book. Bookseller Inventory # M0670888443
Book Description Viking Juvenile, 1999. Hardcover. Book Condition: New. Never used!. Bookseller Inventory # P110670888443