Jane Ellen Harrison (1850-1928) is the most famous female Classicist in history, the author of books that revolutionized our understanding of Greek culture and religion. A star in the British academic world, she became the quintessential Cambridge woman--as Virginia Woolf suggested when, in A Room of One's Own, she claims to have glimpsed Harrison's ghost in the college gardens.
This lively and innovative portrayal of a fascinating woman raises the question of who wins (and how) in the competition for academic fame. Mary Beard captures Harrison's ability to create her own image. And she contrasts her story with that of Eugénie Sellers Strong, a younger contemporary and onetime intimate, the author of major work on Roman art and once a glittering figure at the British School in Rome--but who lost the race for renown. The setting for the story of Harrison's career is Classical scholarship in this period--its internal arguments and allegiances and especially the influence of the anthropological strain most strikingly exemplified by Sir James Frazer. Questioning the common criteria for identifying intellectual "influence" and "movements," Beard exposes the mythology that is embedded in the history of Classics. At the same time she provides a vivid picture of a sparkling intellectual scene. The Invention of Jane Harrison offers shrewd history and undiluted fun.
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Mary Beard has a Chair of Classics at Cambridge and is a Fellow of Newnham College. She is classics editor of The Times Literary Supplement and author of the blog “A Don’s Life”. She is also a winner of the 2008 Wolfson History Prize.
Jane Ellen Harrison (1850-1928) was in the vanguard of the staid British academic community in the early 20th century. As Beard (classics, Cambridge) notes, she wrote and lectured about ancient Greek art and archaeology with "grace and daring." This daring lay in her willingness to expose the "seething irrationality" of the ancient world, a departure from the highly ordered, Victorian approach of her largely male peers. Harrison had a distinguished career at Cambridge, but it was in Germany that her skills as an archaeologist began to flourish. She recognized the importance of myth and ritual to ancient cultures, a groundbreaking acknowledgment in her day. Beard writes a competent, well-researched biography (the 14th book in the "Revealing Antiquity" series), but the dry, thesis-like prose falls disappointingly short of its charismatic subject. A good part of the book discusses the academic/ political shenanigans of Harrison's colleagues, dull fodder for those not privy to Cambridge's arcane hierarchy. Recommended for larger collections.DDiane Gardner Premo, Rochester P.L., NY
Copyright 2000 Reed Business Information, Inc.
http://www.hup.harvard.edu/pdf/BEAINV_excerpt.pdf
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Condition: Bueno. : Jane Ellen Harrison (1850-1928) es la clasicista más famosa de la historia, autora de obras que revolucionaron nuestra comprensión de la cultura y la religión griegas. En este retrato innovador, Mary Beard captura la habilidad de Harrison para crear su propia imagen y la sitúa en el vibrante escenario intelectual de la época, marcado por la influencia de la antropología y las disputas académicas en Cambridge.La obra no solo explora la carrera de Harrison, sino que también la contrasta con la de su contemporánea Eugénie Sellers Strong, analizando cómo se construye la fama académica y exponiendo la mitología incrustada en la historia de los estudios clásicos. Es una mezcla de historia rigurosa y una narrativa amena que ofrece una visión profunda de una mujer fascinante que se convirtió en la quintaesencia de la académica de Cambridge. EAN: 9780674002128 Tipo: Libros Categoría: Historia|Literatura y Ficción|Arte y Cultura Título: The invention of Jane Harrison Autor: Mary Beard Editorial: Harvard University Press Idioma: en Páginas: 256 Formato: tapa dura. Seller Inventory # Happ-2026-01-22-73b05ab7
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