At Home in the Studio: The Professionalization of Women Artists in America

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9780674004863: At Home in the Studio: The Professionalization of Women Artists in America

This engaging cultural history examines the emergence of a professional identity for American women artists. By focusing on individual sculptors, painters, and illustrators, Laura Prieto gives us a compelling picture of the prospects and constraints faced by women artists in the United States from the late eighteenth century through the 1930s.

Prieto tracks the transformation from female artisans and ladies with genteel "artistic accomplishments" to middle-class professional artists. Domestic spaces and familial metaphors helped legitimate the production of art by women. Expression of sexuality and representation of the nude body, on the other hand, posed problems for these artists. Women artists at first worked within their separate sphere, but by the end of the nineteenth century "New Women" grew increasingly uncomfortable with separatism, wanting ungendered recognition. With the twentieth century came striking attempts to reconcile domestic lives and careers with new expectations; these decades also ruptured the women's earlier sense of community with amateur women artists in favor of specifically professional allegiances. This study of a diverse group of women artists--diverse in critical reception, geographic location, race, and social background--reveals a forgotten aspect of art history and women's history.

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About the Author:

Laura R. Prieto is Assistant Professor of History and Women’s Studies at Simmons College, Boston.

Review:

Prieto reconstructs a substantial chronology for women artists in the US...Two tendencies that wax and wane over a century are traced: the drive to be an artist and the desire to be a woman, both providing a basis for professionalization...[Prieto] demonstrates an ability to read works of art, interweaving their visual narratives into the context of women's artistic development. Highly recommended. (E. K. Menon Choice 2002-06-01)

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Book Description HARVARD UNIVERSITY PRESS, United States, 2002. Hardback. Book Condition: New. 243 x 163 mm. Language: English . Brand New Book. This cultural history examines the emergence of a professional identity for American women artists. By focusing on individual sculptors, painters, and illustrators, Laura Prieto gives us a picture of the prospects and constraints faced by women artists in the United States from the late 18th century through the 1930s. Prieto tracks the transformation from female artisans and ladies with genteel artistic accomplishments to middle-class professional artists. Domestic spaces and familial metaphors helped legitimate the production of art by women. Expression of sexuality and representation of the nude body, on the other hand, posed problems for these artists. Women artists at first worked within their separate sphere, but by the end of the 19th century new women grew increasingly uncomfortable with separatism; wanting ungendered recognition. With the 20th century came striking attempts to reconcile domestic lives and careers with new expectations; these decades also ruptured the women s earlier sense of community with amateur women artists in favour of specifically professional allegiances.This study of a diverse group of women artists - diverse in critical reception, geographic location, race, and social background - reveals a forgotten aspect of art history and women s history. Bookseller Inventory # AAH9780674004863

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Book Description HARVARD UNIVERSITY PRESS, United States, 2002. Hardback. Book Condition: New. 243 x 163 mm. Language: English . Brand New Book. This cultural history examines the emergence of a professional identity for American women artists. By focusing on individual sculptors, painters, and illustrators, Laura Prieto gives us a picture of the prospects and constraints faced by women artists in the United States from the late 18th century through the 1930s. Prieto tracks the transformation from female artisans and ladies with genteel artistic accomplishments to middle-class professional artists. Domestic spaces and familial metaphors helped legitimate the production of art by women. Expression of sexuality and representation of the nude body, on the other hand, posed problems for these artists. Women artists at first worked within their separate sphere, but by the end of the 19th century new women grew increasingly uncomfortable with separatism; wanting ungendered recognition. With the 20th century came striking attempts to reconcile domestic lives and careers with new expectations; these decades also ruptured the women s earlier sense of community with amateur women artists in favour of specifically professional allegiances.This study of a diverse group of women artists - diverse in critical reception, geographic location, race, and social background - reveals a forgotten aspect of art history and women s history. Bookseller Inventory # AAH9780674004863

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Book Description HARVARD UNIVERSITY PRESS, United States, 2002. Hardback. Book Condition: New. 243 x 163 mm. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. This cultural history examines the emergence of a professional identity for American women artists. By focusing on individual sculptors, painters, and illustrators, Laura Prieto gives us a picture of the prospects and constraints faced by women artists in the United States from the late 18th century through the 1930s. Prieto tracks the transformation from female artisans and ladies with genteel artistic accomplishments to middle-class professional artists. Domestic spaces and familial metaphors helped legitimate the production of art by women. Expression of sexuality and representation of the nude body, on the other hand, posed problems for these artists. Women artists at first worked within their separate sphere, but by the end of the 19th century new women grew increasingly uncomfortable with separatism; wanting ungendered recognition. With the 20th century came striking attempts to reconcile domestic lives and careers with new expectations; these decades also ruptured the women s earlier sense of community with amateur women artists in favour of specifically professional allegiances.This study of a diverse group of women artists - diverse in critical reception, geographic location, race, and social background - reveals a forgotten aspect of art history and women s history. Bookseller Inventory # BTE9780674004863

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