The Fires of Vesuvius: Pompeii Lost and Found

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9780674029767: The Fires of Vesuvius: Pompeii Lost and Found
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Pompeii is the most famous archaeological site in the world, visited by more than two million people each year. Yet it is also one of the most puzzling, with an intriguing and sometimes violent history, from the sixth century BCE to the present day.

Destroyed by Vesuvius in 79 CE, the ruins of Pompeii offer the best evidence we have of life in the Roman Empire. But the eruptions are only part of the story. In The Fires of Vesuvius, acclaimed historian Mary Beard makes sense of the remains. She explores what kind of town it was―more like Calcutta or the Costa del Sol?―and what it can tell us about “ordinary” life there. From sex to politics, food to religion, slavery to literacy, Beard offers us the big picture even as she takes us close enough to the past to smell the bad breath and see the intestinal tapeworms of the inhabitants of the lost city. She resurrects the Temple of Isis as a testament to ancient multiculturalism. At the Suburban Baths we go from communal bathing to hygiene to erotica.

Recently, Pompeii has been a focus of pleasure and loss: from Pink Floyd’s memorable rock concert to Primo Levi’s elegy on the victims. But Pompeii still does not give up its secrets quite as easily as it may seem. This book shows us how much more and less there is to Pompeii than a city frozen in time as it went about its business on 24 August 79.

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About the Author:

Mary Beard has a Chair of Classics at Cambridge and is a Fellow of Newnham College. She is classics editor of The Times Literary Supplement and author of the blog “A Don’s Life”. She is also a winner of the 2008 Wolfson History Prize.

Review:

In a grand synthesis, one of our most distinguished classicists relates all that we know--and don't know--about ancient Pompeii, devastated by a flood of lava and volcanic ash from Mt. Vesuvius in A.D. 79. Beard splendidly recreates the life and times of Pompeii in a work that is part archeology and part history. She examines the full scope of life, from houses, occupations, government, food and wine to sex, and the baths, recreation and religion...Beard's tour de force takes the study of ancient history to a new level. (Publishers Weekly (starred review) 2008-10-06)

[A] wry, recondite and colorful story of what is known and what is conjectured about life in Pompeii before the fall...Like a canny cook making a banquet from scant means, Beard creates a living Pompeii for the reader from the hard evidence at her disposal. Though she is a skeptic, never pretending to ingredients she doesn't have in her larder, she knows how to take the gaudy razzmatazz of a building's facade or the messy amalgam of workaday shops jumbled with mansions, and make them do a little singing for the reader...This is a lively piece of work, with an easy familiarity and obvious pleasure in the subject, wearing its knowledge lightly, and not above some mischievous poking at Pompeii's many controversies. (Peter Lewis San Francisco Chronicle 2008-12-21)

In the The Fires of Vesuvius, [Beard] gives us a wonderfully comprehensive picture of the city that has long fascinated historians, archaeologists and classicists...For a historian such as Beard, drawing on the latest archaeological findings, it is possible to write with authority how people of the first century ate their meals and lighted their homes, earned a living, governed themselves and attended to their bodily needs. For her--as she shows in this book--Pompeii is not a dead but a living city. (David Walton Milwaukee Journal Sentinel 2008-12-20)

In The Fires of Vesuvius, Cambridge University classics professor Mary Beard restores Pompeii in all its bustling everydayness...But as vivid and detailed a depiction as Beard is able to provide, what is equally fascinating about Pompeii is how much we do not know...Beard calls this the "Pompeii paradox," the fact that "we simultaneously know a huge amount and very little about life there." That's also what makes this learned but lively account a rather haunting read. Oddly familiar images of daily life two millenniums distant are juxtaposed with a sense of impenetrable mystery. "A visit to Pompeii almost never disappoints," Beard insists. To read this book is to agree. (Marjorie Kehe Christian Science Monitor 2009-01-01)

In The Fires of Vesuvius: Pompeii Lost and Found Mary Beard cheerfully dismantles as many assumptions about what we are looking at in the city's remains as she constructs hypotheses. She shows conclusively that the city was not entirely taken unawares by the eruption. (Katherine A. Powers Boston Globe 2008-12-28)

In this lively survey, Beard, a classicist at Cambridge, tempers erudition with a skepticism toward interpretive overreach. "To be honest, this is all completely baffling," she remarks about a painting dense with iconography. Archeological reasoning is often ingeniously indirect--ragged drips suggest a bucket knocked from a platform by painters fleeing the volcano--and Beard's caution makes her an excellent guide for nonspecialists, as she explains both what we know and how we know it with equal clarity. (New Yorker 2009-02-09)

Engrossingly mischievous...Beard takes cheeky, undisguised delight in puncturing the many fantasies and misconceptions that have grown up around Pompeii--sown over the years by archaeologists and classicists no less than Victorian novelists and makers of "sword and sandal" film extravaganzas. While many scholars build careers through increasingly elaborate reconstructions of the ancient world, Beard consistently stresses the limits of our knowledge, the precariousness of our constructs and the ambiguity or contradiction inherent in many of our sources. "There is hardly a shred of evidence for any of it" serves as her battle cry, and it's a noble one...This is a wonderful book, for the impressive depth of information it comfortably embraces, for its easygoing erudition and, not least, for its chatty, personable style. (Steve Coates New York Times Book Review 2009-03-15)

Pompeii may still confuse and challenge, but Beard's informative reappraisal vividly evokes the way it was. And travelers will welcome her practical advice on making a visit. (Judith Chettle Richmond Times Dispatch 2009-03-01)

Whether she's poring over graffiti about gladiatorial machismo in Pompeii or writing about a "wistful nostalgia for the erotic dimension of classical pedagogy," Britain's most outspoken classicist is hilarious, staggeringly knowledgeable and utterly brilliant. (Vogue UK 2009-03-01)

It is the long vanished life of Pompeii that Mary Beard evokes in all its detail and complexity in her new book...She gives us Pompeii itself, with its smells and swill, its sex and superstition, its poverty and pathos. It is a wholly successful evocation, pieced together from a deep knowledge of a frighteningly large bibliography. (G. W. Bowersock New Republic 2009-05-06)

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