At Home in the World: Cosmopolitanism Now (Convergences: Inventories of the Present)

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9780674050310: At Home in the World: Cosmopolitanism Now (Convergences: Inventories of the Present)

From every quarter we hear of a new global culture, postcolonial, hybrid, announcing the death of nationalism, the arrival of cosmopolitanism. But under the drumbeat attending this trend, Timothy Brennan detects another, altogether different sound. Polemical, passionate, certain to provoke, his book exposes the drama being played out under the guise of globalism. A bracing critique of the critical self-indulgence that calls itself cosmopolitanism, it also takes note of the many countervailing forces acting against globalism in its facile, homogenizing sense.

The developments Brennan traces occur in many places--editorial pages, policy journals, corporate training manuals, and, primarily, in the arts. His subject takes him from George Orwell to Julia Kristeva, from Subcommandante Marcos to Julio Cortázar, from Ernst Bloch to contemporary apologists for transnational capitalism and "liberation management," from "third world" writing to the Nobel Prize, with little of critical theory or cultural studies left untouched in between. Brennan gives extended treatment to two exemplary figures: the Trinidadian writer C. L. R. James, whose work suggests an alternative approach to cultural studies; and the Cuban writer Alejo Carpentier, whose appreciation of Cuban popular music cuts through the usual distinctions between mass and elite culture.

A critical call to arms, At Home in the World summons intellectuals and scholars to reinvigorate critical cultural studies. In stripping the false and heedless from the new cosmopolitanism, Brennan revitalizes the idea.

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About the Author:

Timothy Brennan is Associate Professor of English at the State University of New York, Stony Brook.

Review:

Timothy Brennan's At Home in the World announces a new, and extremely suggestive style of cultural and literary criticism. A superbly literate and catholic reader, Brennan is also politically and historically attuned to the enormous changes in global culture that have left behind traditional labels or categories like nationalism, literary style, and culture itself; he reveals how the transformation of the global economy, the dependency of new nations, the hybridity of national culture has given rise to a new form of cosmopolitanism that necessitates plastic, dynamic interpretations of such things as the publishing industry, local traditions and markets as they interact with media conglomerates, critical theory, and the literary career. What emerges is a highly original, totally fresh approach to how we must now study culture on a world scale, without losing touch either with the concrete circumstances of literature, or with the complex theoretical awareness that Brennan himself so brilliantly exemplifies. At Home in the World strikes me as an absolutely essential book in its wonderful range, its jargon-free investigations, and its liberated, yet disciplined, idiom of analysis. A major achievement. (Edward W. Said)

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Book Description Harvard University Press. Paperback. Book Condition: New. 384 pages. Dimensions: 9.2in. x 6.2in. x 1.0in.From every quarter we hear of a new global culture, postcolonial, hybrid, announcing the death of nationalism, the arrival of cosmopolitanism. But under the drumbeat attending this trend, Timothy Brennan detects another, altogether different sound. Polemical, passionate, certain to provoke, his book exposes the drama being played out under the guise of globalism. A bracing critique of the critical self-indulgence that calls itself cosmopolitanism, it also takes note of the many countervailing forces acting against globalism in its facile, homogenizing sense. The developments Brennan traces occur in many places--editorial pages, policy journals, corporate training manuals, and, primarily, in the arts. His subject takes him from George Orwell to Julia Kristeva, from Subcommandante Marcos to Julio Cortzar, from Ernst Bloch to contemporary apologists for transnational capitalism and liberation management, from third world writing to the Nobel Prize, with little of critical theory or cultural studies left untouched in between. Brennan gives extended treatment to two exemplary figures: the Trinidadian writer C. L. R. James, whose work suggests an alternative approach to cultural studies; and the Cuban writer Alejo Carpentier, whose appreciation of Cuban popular music cuts through the usual distinctions between mass and elite culture. A critical call to arms, At Home in the World summons intellectuals and scholars to reinvigorate critical cultural studies. In stripping the false and heedless from the new cosmopolitanism, Brennan revitalizes the idea. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Bookseller Inventory # 9780674050310

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