Ruin the Sacred Truths: Poetry and Belief from the Bible to the Present (The Charles Eliot Norton Lectures)

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9780674780286: Ruin the Sacred Truths: Poetry and Belief from the Bible to the Present (The Charles Eliot Norton Lectures)
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Bloom surveys with majestic view the literature of the West from the Old Testament to Samuel Beckett. He provocatively rereads the Yahwist (or J) writer, Jeremiah, Job, Jonah, the Iliad, the Aeneid, Dante's Divine Comedy, Hamlet, King Lear, Othello, the Henry IV plays, Paradise Lost, Blake's Milton, Wordsworth's Prelude, and works by Freud, Kafka, and Beckett. In so doing, he uncovers the truth that all our attempts to call any strong work more sacred than another are merely political and social formulations. This is criticism at its best.

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Review:

Bloom's puissance is not entirely his own; for some of it, he is indebted to Nietzsche, Freud, Schopenhauer, Gershom Scholem, and other masters. But enough of it is his own to constitute a distinctive form of splendor. (Denis Donoghue New York Review of Books)

The wit, the eclecticism and the gripping paradoxes...the force of [Bloom's] intellect carries the reader from pinnacle to pinnacle, showing a new spiritual landscape from each. (Roger Scruton Washington Times)

In some ways the wildest of the wild men (and women), in some ways the most traditional of the traditionalists, Harold Bloom remains serene amid the turbulence--much of it caused by him. He stands dauntless, a party of one, as thrilling to behold up on the high wire as he is (at times) throttling to read on the page...From this strong critic dealing with these strong poets comes a potent mix of insight. (Mark Feeney Boston Globe)

From Library Journal:

Taking Oscar Wilde's premise that criticism is "the only civilized form of autobiography," Bloom uses the 1987-88 Norton Lectures to present his personal encounter with Western authors from the author of the Hebrew Bible to Freud and Beckett. Specifically, Bloom considers the poet's struggle with the boundaries of meaning and truth to represent God. He denies, however, that poetry can represent belief. It is instead, he argues, an attempt to represent the unrepresentablethat is, the sublime. The discussion also reexamines Bloom's earlier preoccupation with influence as well as favorite authors such as Blake and Stevens. The result is often provoking, but always stimulating. T.L. Cooksey, Armstrong State Coll., Savannah, Ga.
Copyright 1989 Reed Business Information, Inc.

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Book Description Harvard University Press 9/1/1991, 1991. Paperback or Softback. Condition: New. The Charles Eliot Norton Lectures, Ruin the Sacred Truths: Poetry and Belief from the Bible to the Present. Book. Seller Inventory # BBS-9780674780286

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Book Description Harvard University Press. Paperback. Condition: New. 214 pages. Dimensions: 8.6in. x 5.6in. x 0.6in.Bloom surveys with majestic view the literature of the West from the Old Testament to Samuel Beckett. He provocatively rereads the Yahwist (or J) writer, Jeremiah, Job, Jonah, the Iliad, the Aeneid, Dantes Divine Comedy, Hamlet, King Lear, Othello, the Henry IV plays, Paradise Lost, Blakes Milton, Wordsworths Prelude, and works by Freud, Kafka, and Beckett. In so doing, he uncovers the truth that all our attempts to call any strong work more sacred than another are merely political and social formulations. This is criticism at its best. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Seller Inventory # 9780674780286

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