Tom Ripley passes his leisured days at his French country estate tending the dahlias, practicing the harpsichord, and enjoying the company of his lovely wife, Heloise. Never mind the bloodstains on the basement floor.
But some new neighbors have moved to Villeperce: the Pritchards, just arrived from America. they are a ghastly pair, with vulgar manners and even more vulgar taste. Most inconvenient, though, is their curiosity. Ripley does, after all, have a few things to hide. When menacing coincidences begin to occur, a spiraling contest of sinister hints and mutual terrorism ensues, resulting in one of Patricia Highsmith's most elegantly harrowing novels to date.
From the Trade Paperback edition.
"synopsis" may belong to another edition of this title.
Patricia Highsmith (1921 – 1995) was born in Fort Worth, Texas, and grew up in New York. She was educated at the Julia Richmond High School in Manhattan and then at Columbia University, where she earned her B.A. in 1942. Her first novel, Strangers on a Train (1950), tells the story of a tennis player and a psychotic who meet on a train and agree to swap murders. The terrifying tale caught the attention of director Alfred Hitchcock, who, with Raymond Chandler, filmed it in 1951. Both the book and the resulting movie are considered to be classics of the crime genre. Highsmith’s subsequent novels, particularly five featuring the dashing forger/murderer Tom Ripley, have been vastly popular and critically acclaimed. In 1957 Highsmith won the coveted French Grand Prix de Litterature Policiere and in 1964 was awarded the Silver Dagger by the British Crime Writers Association. A reclusive person, Highsmith spent much of her life alone. She moved permanently to Europe in 1963 and spent her final years in an isolated house near Locarno on the Swiss-Italian border. Upon her death, Highsmith left three million dollars of her estate to Yaddo, the artist community in upstate New York.
From the Trade Paperback edition.
asses his leisured days at his French country estate tending the dahlias, practicing the harpsichord, and enjoying the company of his lovely wife, Heloise. Never mind the bloodstains on the basement floor.<br><br>But some new neighbors have moved to Villeperce: the Pritchards, just arrived from America. they are a ghastly pair, with vulgar manners and even more vulgar taste. Most inconvenient, though, is their curiosity. Ripley does, after all, have a few things to hide. When menacing coincidences begin to occur, a spiraling contest of sinister hints and mutual terrorism ensues, resulting in one of Patricia Highsmith's most elegantly harrowing novels to date.<br><br><br><i>From the Trade Paperback edition.</i>
With the chilling, knife-edged subtlety that is her trademark, Highsmith ( Strangers on a Train ; Ripley's Game ) details the civilized life pursued by her sociopath hero Tom Ripley, who here makes his fifth appearance and his first in a dozen years. Now living in the French countryside with his wife, Heloise, Ripley is bothered by an obnoxious American couple who have rented a house nearby and who seem bent on exploring incidents in Ripley's past. With no apparent personal motive, David Pritchard and his wife Janice refer to an American art dealer named Murchison who mysteriously disappeared some years ago after visiting Ripley. Ripley, who had murdered Murchison to prevent the exposure of an art forgery scheme and then dumped his body in a nearby canal, grows increasingly anxious and angry as Pritchard continues to harass him and begins dredging the local canals. Highsmith leads up to her resolution as unsensationally and evenhandedly as she describes Ripley's ordinary days spent tending his dahlias, practicing Schubert on the harpsichord, relishing his meals and looking out tenderly for Heloise and their housekeeper. The perfect gentleman, he is civil, considerate, utterly well mannered--and deadly. Highsmith will make readers look closer at their neighbors, and at themselves.
Copyright 1992 Reed Business Information, Inc.
Highsmith's fifth Ripley novel, and her first since The Boy Who Followed Ripley ( LJ 5/1/80. o.p.), finds the sophisticated and amoral American expatriate being harassed by David Pritchard, a fellow American whose boorishness marks him as something of Ripley's alter-ego. Inexplicably familiar with all the incriminating details of Ripley's past, Pritchard is determined to expose him. He shadows Ripley's every move, first spying on him at home in France and then following him to Morocco. Tensions build on the return to Villeperce as Pritchard sets out to locate a body Ripley would prefer remain hidden in a nearby river. Not a suspense or mystery novel per se, this work borrows from both to create a disquieting exploration of the nuances of psychopathology that transcends genre. Fans of Highsmith and the enigmatic Ripley will not be disappointed.
- Lawrence Rungren, Bed ford Free P.L., Mass.
Copyright 1992 Reed Business Information, Inc.
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