From the Back Cover:
"This is a history so artful and astonishing that it makes me realize
how little I know about my own craft. Laurel Ulrich looks at the things
people made in the Age of Homespun and the meanings they and their
descendants attached to them. Each chapter is circular, beginning with an
object and the stories about it, then establishing context until the reader
gets some glimpse of both the richness of the world from which the object
came and the things stories about the object seek to conceal. Put the
chapters together, and there is a history of New England through the early
industrial revolution that opens out largely from women's work -- both
Indian and white."
-- Richard White, author of 'It's Your Misfortune and None of My Own':
A New History of the American West
"Once upon a time Harvard was West Podunk in the world of material
culture studies. No longer. Laurel Thatcher Ulrich's appointment
to the faculty and now her trail-blazing book, The Age of Homespun,
redraw the map of an exciting field still full of surprises. Objects
made by and for American women transport readers into a landscape that
alternately teems with personal stories and opens onto stunning
historical perspectives."
--Cary Carson, Colonial Williamsburg Foundation
"Although handmade clothing and textiles are often ignored or marginalized
as antiquarian oddities by academic historians, Laurel Ulrich has carefully
selected examples from which she has been able to tease powerful and
significant stories. Readers will enjoy the individual tales and, through them,
find their understanding of Colonial America a richer web."
-- Jane Nylander, author of Our Own Snug Fireside: Images of the New England
Home
"With her usual magic, Laurel Ulrich finds the world in small
pieces of evidence. Slavery, Indians, international commerce, class,
revolution, gentility all are woven into the fabrics she describes.
Moreover, she finds these weavers, spinners, and embroiderers creating a
culture of homespun later to be memorialized in the formation of American
identity."
-- Richard L. Bushman, author of The Refinement of America: Persons,
Houses, Cities
"THE AGE OF HOMESPUN is a rich blend of history and material culture and of
history and memory that reflects the storytelling and analytic skills of
one of today's finest historians. Laurel Thatcher Ulrich has written a
superb evocation of an important dimension of eighteenth-century America
and its reconstruction by subsequent generations."
-- Thomas Dublin, author of Transforming Women's Work: New England Lives
in the Industrial Revolution
"A yarn of a story? A richly woven text? A tapestry of tales? Readers
of THE AGE OF HOMESPUN will have to reach deep into their baskets of metaphors
to find words to describe this stunning work of scholarship and storytelling,
in which Ulrich asks us to think hard about the spinning of wool--and the
writing of history."
--Jill Lepore, author of The Name of War: King Philip's War and the Origins of
American Identity
"In a unique work of astonishing originality, Laurel Ulrich
has achieved two distinct goals: recreating the textiles that early
Americans made and used, but also the illusions that 19th-century
Americans imagined about their forebears' domestic milieu. She does
all of that with due attention to particularity of place and change
over time--providing a superb example of the gifted historian's craft."
--Michael Kammen, author of American Culture, American Tastes
"In THE AGE OF HOMESPUN, Laurel Thatcher Ulrich explodes an enduring
American myth, one that has isolated early New England women and their
work from such larger historical currents as the colonization of American
Indians and the Industrial Revolution. The result is a deeply intelligent,
richly detailed study that enriches fundamentally our understandings of
early American history and American historical memory."
--Neal Salisbury, author of Manitou and Providence: Indians, Europeans, and
the Making of New England, 1500-1643
About the Author:
Laurel Thatcher Ulrich is Phillips Professor of Early American History at Harvard University. Formerly a professor of American history at the University of New Hampshire, she is the author of Good Wives (1982) and numerous articles and essays on early American history. She won the Pulitzer Prize for History in 1991 for A Midwife’s Tale: The Life of Martha Ballard Based on Her Diary, 1785--1812. Born and raised in the Rocky Mountain West, she has lived in New England since 1960. During her tenure as a MacArthur Fellow, she assisted in the production of a PBS documentary based on A Midwife’s Tale. Her work is also featured on an award-winning Web site called dohistory.org. She and her husband, Gael Ulrich, are the parents of five grown children.
"About this title" may belong to another edition of this title.