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From both the American and the Argentinian, Calvino learned to be concise, and his quick sketches of books like the "unqualified masterpiece" Our Mutual Friend provide a contact high--one wants to drop everything and head straight to a library, so infectious is his enthusiasm. "How many young people will be smitten" by Stendhal's recently, brilliantly retranslated Waterloo-era adventure The Charterhouse of Parma, he writes, "recognizing it as the novel they had always wanted to read... the benchmark for all the other novels they will read in later life." Like a great teacher, Italo Calvino distills a writer's essence in a vivid phrase: money, for instance, serves as "the motive force of Balzac's narrative, the true test of feeling in Dickens; but in Mark Twain money is a game of mirrors, causing vertigo over a void." --Tim Appelo
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