Set in the troubled South Africa of the 1940s, this is the deeply moving story of a Zulu pastor, his son, and a land and a people riven by racial injustice. Passionately African, yet timeless and universal, it is a work of searing beauty.
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Alan Paton (1903-1988), South African novelist and humanitarian worker, was born in 1903 in Pietermaritzburg in the province of Natal, South Africa. After attending Pietermaritzburg College and Natal University, he taught school for three years in the rural village of Ixopo, the setting for Cry, the Beloved Country.
Michael York is a successful screen and stage actor. Among his screen credits are Romeo and Juliet, Cabaret, The Three Musketeers, Logan's Run, and Austin Powers. Stage appearances include Britain's National Theatre and Broadway. His television work has garnered Emmy nominations and his audio recordings Grammy nominations. He has been awarded Britain's OBE, France's Arts et Lettres, and a star on the Hollywood Walk of Fame.Excerpt. © Reprinted by permission. All rights reserved.:
There is a lovely road that runs from Ixopo into the hills. These hills are grass-covered and rolling, and they are lovely beyond any singing of it. The road climbs seven miles into them, to Carisbrooke; and from there, if there is no mist, you look down on one of the fairest valleys of Africa. About you there is grass and bracken and you may hear the forlorn crying of the titihoya, one of the birds of the veld. Below you is the valley of the Umzimkulu, on its journey from the Drakensberg to the sea; and beyond and behind the river, great hill after great hill; and beyond and behind them, the mountains of Ingeli and East Griqualand.
The grass is rich and matted, you cannot see the soil. It holds the rain and the mist, and they seep into the ground, feeding the streams in every kloof. It is well-tended, and not too many cattle feed upon it; not too many fires burn it, laying bare the soil. Stand unshod upon it, for the ground is holy, being even as it came from the Creator. Keep it, guard it, care for it, for it keeps men, guards men, cares for men. Destroy it and man is destroyed.
Where you stand the grass is rich and matted, you cannot see the soil. But the rich green hills break down. They fall to the valley below, and falling, change their nature. For they grow red and bare; they cannot hold the rain and mist, and the streams are dry in the kloofs. Too many cattle feed upon the grass, and too many fires have burned it. Stand shod upon it, for it is coarse and sharp, and the stones cut under the feet. It is not kept, or guarded, or cared for, it no longer keeps men, guards men, cares for men. The titihoya does not cry here any more.
The great red hills stand desolate, and the earth has torn away like flesh. The lightning flashes over them, the clouds pour down upon them, the dead streams come to life, full of the red blood of the earth. Down in the valleys women scratch the soil that is left, and the maize hardly reaches the height of a man. They are valleys of old men and old women, of mothers and children. The men are away, the young men and the girls are away. The soil cannot keep them any more.
Copyright (c) 1948 by Alan Paton
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