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Most unusually among major painters, Vincent van Gogh (1853-90) was also an accomplished writer. His letters provide both a unique self-portrait and a vivid picture of the contemporary cultural scene. Van Gogh emerges as a complex but captivating personality, struggling with utter integrity to fulfil his artistic destiny. This major new edition, which is based on an entirely new translation, reinstating a large number of passages omitted from earlier editions, is expressly designed to reveal his inner journey as much as the outward facts of his life. It includes complete letters wherever possible, linked with brief passages of connecting narrative and showing all the pen-and-ink sketches that originally went with them. Despite the familiar image of Van Gogh as an antisocial madman who died a martyr to his art, his troubled life was rich in friendships and generous passions. In his letters we discover the humanitarian and religious causes he embraced, his fascination with the French Revolution, his striving for God and for ethical ideals, his desperate courtship of his cousin, Kee Vos, and his largely unsuccessful search for love. All of this, suggests De Leeuw, demolishes some of the myths surrounding Van Gogh and his career but brings hint before us as a flesh-and-blood human being, an individual of immense pathos and spiritual depth. Perhaps even more moving, these letters illuminate his constant conflicts as a painter, torn between realism, symbolism and abstraction; between landscape and portraiture; between his desire to depict peasant life and the exciting diversions of the city; between his uncanny versatility as a sketcher and his ideal of the full-scale finished tableau. SinceVan Gogh received little feedback from the public, he wrote at length to friends, fellow artists and his family, above all to his brother Theo, the Parisian art dealer, who was his confidant and mainstay. Along with his intense powers of visual imagination, Vincent brought to the
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This thorough collection of van Gogh's letters has been assembled with an artful eye and sensitivity to the artist's thinking. The result is an atypical take on Vincent van Gogh that avoids putting too much stress on his troubled mental state and too much straining by the editor to shape a narrative out of van Gogh's epistolary clues. Instead, we see the thoughtful and contemplative side of this creative genius, as well as his concern for the impact his art and life had on those people closest to him.About the Author:
Vincent Willem van Gogh (1853-1890) was born in Holland. He became an assistant with an international firm of art-dealers and in 1881 he went to Brussels to study art. After an unsuccessful love affair with his cousin he returned to Holland and in 1885 he painted his first masterpiece, The Potato Eaters, a haunting scene of domestic poverty. A year later his brother Theo, an art dealer, enabled him to study in Paris, where he met Gauguin, Toulouse-Lautrec and Seurat, who became very important influences on his work.
In 1888 he left Paris for the Provençal landscape at Arles, the subject of many of his best works, including "Sunflowers" and "The Chair and the Pipe." It was here Van Gogh cut off his ear, in remorse for threatening Gauguin with a razor during a quarrel, and he was placed in an asylum for a year. On July 7, 1890 Van Gogh shot himself at the scene of his last painting, the foreboding "Cornfields with Flight of Birds," and he died two days later.
Ronald de Leeuw has been the director of the Van Gogh Museum in Amsterdam since 1986. He trained as an art historian at the universities of Los Angeles, California, and of Leiden, The Netherlands. As a specialist in nineteenth-century painting, he has been responsible for numerous exhibitions in The Netherlands and abroad, including the 1990 Vincent Van Gogh Centennial retrospective in Amsterdam. Since 1990 Ronald de Leeuw has also directed the Museum Mesdag in The Hague, known for its fine Barbizon and Hague School holdings. In 1994 he was appointed professor extraordinary in the history of collecting at the Free University of Amsterdam.
Arnold Pomerans was born in 1920 and was educated in South Africa. He emigrated to England in 1948, and from 1948 to 1955 taught physics in London. In 1955 he became a full-time translator and has had just under two hundred major works issued by leading British and US publishers. Among the authors translated by him are Louis de Broglie, Anne Frank, Sigmund Freud, George Grosz, Jan Huizinga, Jean Piaget and Jules Romain.
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Book Description Touchstone, 1997. Soft cover. Condition: New. 1st Edition. Vincent Willem van Gogh (Dutch: [ˈvɪnsɛnt ˈʋɪləm vɑn ˈɣɔx] ( listen);[note 1] (30 March 1853 – 29 July 1890) was a Dutch post-Impressionist painter whose work had far-reaching influence on 20th-century art. His paintings include portraits, self portraits, landscapes, still lifes, olive trees and cypresses, wheat fields and sunflowers. He was largely ignored by critics until after his early death in 1890. The only substantial exhibitions held during his lifetime were showcases in Paris and Brussels. The first published full-length article came in 1890, when Albert Aurier described him as a Symbolist. The widespread and popular realisation of his significance in the history of modern art did not begin until his adoption by the Fauves and German Expressionists in the mid-1910s. Seller Inventory # ABE-1506284039957
Book Description Touchstone, 1997. Paperback. Condition: New. Never used!. Seller Inventory # P110684843005
Book Description Touchstone. PAPERBACK. Condition: New. 0684843005 New Condition. Seller Inventory # NEW7.1195287
Book Description Touchstone, 1997. Condition: New. book. Seller Inventory # M0684843005