Times are tough for the antique dealers working on Worth Row. This is not to say, however, that it is by any means quiet on the Row, a place where bathtubs double as lawn furniture and adultery, bribery and larceny are commonplace. From the quirky to the certifiable, it seems that everyone has something to hide -- from their cus- tomers, spouses and even themselves. But when a violent storm strikes, causing fire, a heart attack and grand theft, it stirs up more than just the earth it hits. Suddenly, long-buried truths are flowing faster than the flooding rains, and when the dust and smoke finally clear, everything is righted at last.
With a strong, rich and uproariously funny voice, Joe Coomer resurrects the magic of his previous novels, Beachcombing for a Shipwrecked God and The Loop, and turns the utterly ordinary into the stunningly extra-ordinary. With a splendid cast of characters and the cleverest canine in comedy, Apologizing to Dogs is a hilarious, heartwarming and wonderfully human tale, proving that no matter how old you get, there's always something worth holding on to, fighting for and loving with all your might.
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About the last thing you'd expect to find on a street arrayed with a dozen antique shops is something novel. Yet Worth Row, the setting for Joe Coomer's eighth book, Apologizing to Dogs, is fairly brimming with surprise and revelation. Romance, thievery, blackmail, and more all come to light on one bewildering day in Fort Worth's historic antique district. By the time the dust has settled, Coomer's quirky cadre of shop owners find their fragile equanimity forever shattered.
Slowly and surely losing patrons to the nearby mall, the Row is presided over by the prim and sentimental clothes dealer Nadine, who is the object of carpenter Carl's desire. His other passion, it turns out, is gutting his house to build the ship that he hopes will ferry Nadine and him to a new life. Meanwhile, Carl's neighbor, the recalcitrant Howard Dog-in-His-Path, conceals a bevy of confidences while loafing in his front-yard tub; the reclusive, paranoid Effie peers through her shutters and transcribes up-to-the-minute neighborhood reports in her journal; and, across the street, Tradio and Arthur are caught between the need to reveal they're lovers and the desire to keep the Row's boat from rocking. Just up the street are Mr. and Mrs. Haygood, and next to them are Mazelle--of Mazelle's Rare and Medium Rare Books--and her husband. These two couples form a love-square that gets dug up, literally, by a curious dog.
Just about every bit of tangled lineage and concealed secret gets exposed in Coomer's outlandish tale. At its best, Apologizing to Dogs reveals the tension between nostalgia and fulfillment, as well as the overwhelming force of our attachments, material or otherwise. "Why do we save old things," Arthur asks Nadine. "Why do we collect these old precious things?" In its improbable eruptions and rambling dialogue, however, the novel occasionally sacrifices verisimilitude for reheated comedy. The paradox of selling the old in order to sustain the present keeps the novel churning along. Soak up the bittersweet laughs, but, as one character says, tellingly, "Don't try to guess the end. Try not to figure it out." --Ben Guterson
Joe Coomer is the author of Beachcombing for a Shipwrecked God, The Loop, Sailing in a Spoonful of Water and an award-winning book of nonfiction, Dream House. He lives in Texas and Maine.
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