Items related to The Making of the Masters Leather Bound Edition
Synopsis
The first full history of the making of sport's rite of spring--the Masters Tournament--by the acclaimed author of My Usual Game , based on unprecedented access to the archives of the Augusta National Golf Club.
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Review
Analyzing the legend and lore of golf's most celebrated tournament has become something of a cottage industry of late, but Owen, who displayed his personal golfing affections, frustrations, and obsessions so marvelously in My Usual Game, now goes where his competition hasn't gained access: to the source--via access to Augusta National's archives, records, and membership. The result is a sympathetic, yet still critical and complex portrait of the club and its founder, Clifford Roberts, to whom golf history has not been particularly kind. Indeed, for better--and for worse--Roberts and Augusta remain linked throughout what is essentially a volume that weaves biography with social history played against a sporting canvas. Naturally, finance, ego, Bobby Jones, television, and President Eisenhower figure into the tale, but Eisenhower's not the only leader of the free world to use the club's exclusivity to his benefit; Owen uncovers the delicious bit that Ronald Reagan and George Schultz helped finalize the invasion of Grenada there.
Of course, there is also some great golf. Augusta National would be just another golf club with a fancy pedigree and history of exclusion were it not for the remarkable tournament that it hosts every year. Owen, a graceful writer, tees up plenty of detail and anecdote in a hole-by-hole tour of the track, lined with perspective. Owen explains,
If the Masters seems older than it is, that's largely because the tournament, alone among the majors, is conducted year after year on the same course. Every important shot is played against a backdrop that consists of every other important shot, all the way back to 1934. Every key drive, approach, chip, and putt is footnoted and cross-referenced across decades of championship play. Every swing--good or bad--has a context.The context that Owen provides makes The Making of the Masters as indispensable as a hot putter. --Jeff Silverman
About the Author
David Owen plays in a weekly foursome, takes mulligans off the first tee, practices intermittently at best, wore a copper wristband because Steve Ballesteros said so, and struggles for consistency even though his swing is consistent -- just mediocre. He is a staff writer for The New Yorker, a contributing editor to Golf Digest, and a frequent contributor to The Atlantic Monthly. His other books include The First National Bank of Dad, The Chosen One, The Making of the Masters, and My Usual Game. He lives in Washington, Connecticut.
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