In her remarkable second novel, A. Manette Ansay tells the story of Abigail Schiller, a girl who lives a seemingly normal childhood in a small Catholic community in Wisconsin. But that life is shattered when her younger brother Sam, unable to live up to his father's rigid ideas of masculinity, mysteriously vanishes at the age of seventeen. Haunted by both Sam's disappearance and memories of violence that her mother denies, Abby finds herself increasingly unable to reconcile her own life with the wishes of her family and the Catholic Church.
Now thirty years old and expecting her first child, Abby realizes the past she tried to run from holds the key to her own future and to that of her child. She embarks on an emotional journey that retraces her brother's descent into feelings of worthlessness and a world of drug abuse, a journey that contradicts everything she once believed about her family and herself.
Sister is the poignant story of a woman's search for memory and meaning, the reconciliation of present and past within the complicated fabric of family. With grace and compassion, A. Manette Ansay spins hard-won triumph out of tragedy, testifying to the indelibility of the human spirit.
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A. Manette Ansay is the author of eight books, including Vinegar Hill, Midnight Champagne (a finalist for the National Book Critics Circle Award), and Blue Water. She has received the Pushcart Prize, two Great Lakes Book Awards, and a grant from the National Endowment for the Arts. She teaches in the MFA writing program at the University of Miami.
In her remarkable second novel, A. Manette Ansay tells the story of Abigail Schiller, a girl who lives a seemingly normal childhood in a small Catholic community in Wisconsin. But that life is shattered when her younger brother Sam, unable to live up to his father's rigid ideas of masculinity, mysteriously vanishes at the age of seventeen. Haunted by both Sam's disappearance and memories of violence that her mother denies, Abby finds herself increasingly unable to reconcile her own life with the wishes of her family and the Catholic Church.
Now thirty years old and expecting her first child, Abby realizes the past she tried to run from holds the key to her own future and to that of her child. She embarks on an emotional journey that retraces her brother's descent into feelings of worthlessness and a world of drug abuse, a journey that contradicts everything she once believed about her family and herself.
Sister is the poignant story of a woman's search for memory and meaning, the reconciliation of present and past within the complicated fabric of family. With grace and compassion, A. Manette Ansay spins hard-won triumph out of tragedy, testifying to the indelibility of the human spirit.
There is a beauty and clarity and much sorrow in A. Manette Ansay's second novel, Sister (William Morrow). The sister of the title is Abigail (Abby) Schiller, and through her achingly observant eyes we are brought to the troubled heart of her Catholic rural Wisconsin family. Moving back and forth in time between Abby's girlhood in the 1970s and '80s and her early years of marriage and motherhood in the '90s, Ansay writes with the grace and assurance that marked her fine first novel, Vinegar Hill, and her story collection, Read This and Tell Me What It Says. On just about every page of this deeply satisfying story you will find a word, a phrase, a sentence, a paragraph that makes you feel the wonder and the terror of these scarred, ineluctably entwined lives.
When Abby and her one-year-younger brother, Sam, were growing up in Wisconsin, she'd quiz him before they fell asleep: "Me and Mom are drowning and you're in a boat, but there's only room for one more person. Who will you save?" Not until he answers "You" can Abby fall asleep, secure that Sam "loved me best."
When this novel opens, Abby is 30 and hasn't seen Sam in more than a decade. By the age of 17, he'd become a sullen delinquent [and] hasn't been heard from since. Now, still trying to understand why her brother couldn't save even himself, Abby reflects back on an uneasy childhood: their father, an angry man who hated "sissies" and tried to taunt his son out of being one; their mother, loving yet often ineffectual. The puzzle of Sam's disappearance does get resolved in the final pages--but more important than the suspense is the way Ansay avoids the self-consciousness and cliches of many coming-of-age novels. Her story rings poignantly true.
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