Painted just before the French Revolution, David's Oath of the Horatii radically challenged the long-dominant classicized rococo style by emphasizing the representation of psychological states through the entire body rather than through the face alone. In these revealing essays on David's modernity, Dorothy Johnson examines the aesthetic innovations and ongoing artistic metamorphosis that shaped a career attuned to intellectual as well as political change. Focusing on the painter's writings and on topics such as his life-long experimentation with corporality, his inquiry into the nature of representation, his reinterpretations of mythology, and his application of the theory and language of sculpture to his art, Johnson rejects oversimplified categorizations of David as a neoclassicist and positions him as an important link in the development of romanticism.
Given David's interaction with many of the public figures of his time, including Diderot, Marat, and Napoleon, this book highlights the intellectual content of his paintings throughout his career. Inquiries into the transformation of matter, the evolution of the species, the identification and exploration of the stages in the formation of the self, the psychology of myth, the biological model of the waxing and waning of civilizations, and the organicity of history all parallel and inform David's approach to the making of art and his view of himself as an artist in the continuum of history.
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Dorothy Johnson is Associate Professor of Art History at the University of Iowa. With Jacques de Caso she translated his book David d'Angers: Sculptural Communication in the Age of Romanticism (Princeton).
"Dorothy Johnson's book reveals David as a Protean artist, constantly--throughout his long career--changing his style as he pursued new concepts of art. Her study covers all major phases of his work, offering an exciting vision of this complex artist, one that no one else has seen."--Walter E. Rex
"Dorothy Johnson's book reveals David as a Protean artist, constantly--throughout his long career--changing his style as he pursued new concepts of art. Her study covers all major phases of his work, offering an exciting vision of this complex artist, one that no one else has seen."--Walter E. Rex
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Hardcover. A golden yellow cloth casebound book. There is a dust jacket with oange text down a blue spine. Pages: (20), 3-316. Illustrated with black-and-white images. Contents are as follows: Introduction: The Method of Metamorphosis --; I.; The Eloquent Body: "Gestes sublimes" and the Formation of a Corporal Aesthetic --; II.; Painting Words and Deeds: The Grands Hommes and the Representation of Revolution --; III.; The Art of Civilization: The Sabine Women and Leonidas at Thermopylae --; IV.; "In borrowed robes?" From Homage to Subversion in the Napoleonic Paintings --; V.; Art in Exile: The Instauration of Romantic Hellenism. VG/VG: Exlibrary book. Sticker on the dust jacket at the base of the spine. Stamp on the front free end page. Stamp, sticker, and due date card on the back pasted end page. Stamp on the top text block. Seller Inventory # 203962
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Hardcover. Condition: Fine. Dust Jacket Condition: Fine. A few color, mostly black and white illustrations throughout. First printing. Fine in a fine dust jacket. Seller Inventory # 105329
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Hardcover. Condition: New. In shrink wrap. Looks like an interesting title! Seller Inventory # Q-0691032181