This rich, wide-ranging book explores Italy's national film style by relating it closely to politics and to the historicist thought of Croce, Gentile, and Gramsci. Here is a new kind of film history--a nonlinear, intertextual approach that confronts the total story of the growth of a national cinema while challenging the traditional formats of general histories and period studies. Examining Italian silent films of the fascist era through neorealism to modernist filmmaking after May 1968, Angela Dalle Vacche reveals opera and the commedia dell'arte to be the strongest influences. As she presents the whole history of Italian cinema from the standpoint of a dialectic between these two styles, she offers brilliant interpretations of individual films. The "body in the mirror" is the national self-image on the screen, which changes shape in response to historical and political context. To discover how the nation represents, understands, and recognizes this fictional "body," Dalle Vacche discusses changes in the strongest parameters of Italian cinema: allegory, spectacle, body, history, unity, and continuity. In her hands these concepts yield a wealth of insights for film scholars, art historians, political scientists, and those concerned with cultural studies in general, as well as for other educated readers interested in Italian cinema.
Originally published in 1992.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
"synopsis" may belong to another edition of this title.
Angela Dalle Vacche is Associate Professor of Art History and teaches in the film studies program at Yale University. She is the author of The Body in the Mirror: Shapes of History in Italian Cinema.
"About this title" may belong to another edition of this title.
Seller: PAPER CAVALIER US, Brooklyn, NY, U.S.A.
Condition: good. A good reading copy. May contain markings or be a withdrawn library copy. Seller Inventory # 9780691055664-4
Seller: Old Editions Book Shop, ABAA, ILAB, North Tonawanda, NY, U.S.A.
Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. Cloth covered boards. DJ with light edgewear wrapped in protective plastic sheath. Text clean. Binding sound. No previous owner names, stickers or stamps. ; 9.75 X 6.50 X 1 inches; 330 pages. Seller Inventory # 7222
Seller: Anybook.com, Lincoln, United Kingdom
Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9780691055664. Seller Inventory # 9286169
Quantity: 1 available
Seller: Schindler-Graf Booksellers, Westlake, OH, U.S.A.
Jan 27, 1992. Condition: New. Hardcover in glossy dust jacket. Unread copy in new condition, with no flaws or marks. Seller Inventory # QZ-2DTE-QI8M