This is a study of a group of potters living in a small community in the south of Japan, and about the problems they face in the production, marketing and aesthetic appraisal of a kind of stoneware pottery generally referred to as mingei, or folk art. It shows how different people in an art world bring to bear different sets of values as they negotiate the meaning of mingei and try to decide whether a pot is 'art', 'folk art', or mere 'craft'.
At the same time, this book is an unusual monograph in that it reaches beyond the mere study of an isolated community to trace the origins and history of 'folk art' in general. By showing how a set of aesthetic ideals originating in Britain was taken to Japan, and thence back to Europe and the United States - as a result of the activities of people like William Morris, Yanagi So etsu, Bernard Leach and Hamada Sho ji - this book rewrites the history of contemporary western ceramics.
"synopsis" may belong to another edition of this title.
Brian Moeran is Professor of Business Anthropology at the Copenhagen Business School and founding Editor of the Open Access Journal of Business Anthropology.Review:
"Moeran provides analyses that are thorough, at times brilliant, and constantly compare the theories of Yanagi to the actual workings of the community."
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Book Description Taylor & Francis Group. Book Condition: New. Bookseller Inventory # 95288151
Book Description Routledge, 1997. Hardback. Book Condition: NEW. 9780700706051 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. For all enquiries, please contact Herb Tandree Philosophy Books directly - customer service is our primary goal. Bookseller Inventory # HTANDREE0396275
Book Description RoutledgeCurzon, 1997. Hardcover. Book Condition: Brand New. 272 pages. 9.21x6.14 inches. In Stock. Bookseller Inventory # __0700706054