Translated poems of 2 Brazilian poets, Carlos Drummond de Andrade and Joao Cabral de Melo Neto, and original poems comprise 3 decades of the author's work
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Elizabeth Bishop was vehement about her art--a perfectionist who didn't want to be seen as a "woman poet." In 1977, two years before her death she wrote, "art is art and to separate writings, paintings, musical compositions, etc., into two sexes is to emphasize values in them that are not art." She also deeply distrusted the dominant mode of modern poetry, one practiced with such detached passion by her friend Robert Lowell, the confessional.
Bishop was unforgiving of fashion and limited ways of seeing and feeling, but cast an even more trenchant eye on her own work. One wishes this volume were thicker, though the perfections within mark the rightness of her approach. The poems are sublimely controlled, fraught with word play, fierce moral vision (see her caustic ballad on Ezra Pound, "Visits to St. Elizabeths"), and reticence. From the surreal sorrow of the early "Man-Moth" (leaping off from a typo she had come across for "mammoth"), about a lonely monster who rarely emerges from "the pale subways of cement he calls his home," to the beauty of her villanelle "One Art" (with its repeated "the art of losing isn't hard to master"), the poet wittily explores distance and desolation, separation and sorrow.About the Author:
Elizabeth Bishop was born in Massachusetts in 1911. She lived for many years in Brazil with her partner, Lota de Macedo Soares. On Soares? death by suicide, she began to spend more time in the US and became poet-in-residence at Harvard University. Her many awards include the Pulitzer Prize (1956). She died in 1979.
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Book Description Chatto & Windus, 1991. Paperback. Book Condition: New. Never used!. Bookseller Inventory # P110701137703
Book Description Chatto & Windus, 1991. Paperback. Book Condition: New. book. Bookseller Inventory # M0701137703