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Book Description hardcover. Condition: Very Good. Dust jacket shows some lightscuffing, shelf and edge wear. Seller Inventory # mon0000015778
Book Description Hardcover. Condition: As New. Hardcover and dust jacket. Good binding and cover. Minor shelf wear. Clean, unmarked pages. xiii, 190 pages, 22 cm. Seller Inventory # 1403120068
Book Description Condition: Good. Most items will be dispatched the same or the next working day. A few small marks or stains to the page edges/pages. Seller Inventory # wbb0021869381
Book Description Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. First edition. The most fundamental debate in the philosophy of music involves the question of whether there is an artistically important connection between music and the emotions. Many theories of the nature and significance of music as an art form have maintained that at least one important value of music is its capacity to represent, express, communicate, or symbolize a variety of extra-musical emotions or a certain aspect of emotion. Yet these theories are rejected by those who believe that the value of any musical work is specifically musical, and accordingly must be independent of any relationship between music and the emotions. Now in paper, "Music and the Emotions" presents and critically examines the chief theories about the relationship between music and the emotions. These theories include those of Eduard Hanslick, Edmund Gurney, Carroll Pratt, Arthur Schopenhauer, Susanne Langer and Leonard Meyer. Seller Inventory # 045676
Book Description Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 190pp hardback, red boards gilt in wrapper (International Library of Philosophy). Seller Inventory # 061822
Book Description Hardcover. Condition: Good. Good. book. Seller Inventory # D7S9-1-M-0710205201-4