Since it was first performed in Athens in the 420s BC, Oedipus the King has been widely regarded as Sophocles' greatest tragedy and one of the foundation stones of western drama. Taken as a model by Aristotle in his Poetics, it became a yardstick for future generations. Since the play's rediscovery in the Renaissance, audiences - including Sigmund Freud - have found new interpretations and meanings in Sophocles' portrayal of the Theban king, inexorably pursuing the truth, only to discover that he has killed his father and married his mother.
This translation by Don Taylor, accurate yet poetic, was made for a BBC TV production of the Theban Plays in 1986, which he also directed. Commentary and notes by Angie Varakis.
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Jenny Stevens was an Associate Lecturer for the Open University and currently combines educational consultancy work with teaching and writing. She is the co-author with Pamela Bickley of Essential Shakespeare: The Arden Guide to Text and Interpretation (2013) and Shakespeare and Early Modern Drama: Text and Performance (2016).
Don Taylor (1936-2003) was a playwright and poet, and a director of theatre, television and radio plays. He worked as drama director at the BBC, and between 1960 and 1990, he directed nearly a hundred television plays. He translated and directed for BBC Television the Theban plays of Sophocles – Oedipus the King, Antigone and Oedipus at Colonus. He followed this with translations of three Euripides war plays – Iphigenia at Aulis, The Women of Troy and Helen. He was co-director of Compass Theatre for while and set up First Writes Radio with Ellen Dryden. Don Taylor's many stage plays include The Roses of Eyam, The Exorcism, Daughters of Venice, Brotherhood, When the Actors Come, Retreat from Moscow, When the Barbarians Came and his last play The Road to the Sea.
Chris Megson is Senior Lecturer in Drama and Theatre at Royal Holloway, University of London. He has taught and published widely in the field of modern drama, and is editor of The Methuen Drama Book of Naturalist Plays. Other works include: Get Real: Documentary Theatre Past and Present (with Alison Forsyth, 2011), and Modern British Playwriting: The 70s: Voices, Documents, New Interpretations (2012).
Matthew Nichols graduated from the University of Birmingham in 2003 and has been teaching and leading outstanding Drama and Performing Arts departments for over a decade. Matthew also has extensive experience at a senior level with several exam boards, and was responsible for writing one of the reformed GCSE qualifications in Drama. In addition, Matthew works with schools, colleges, universities and theatres across the country. Matthew is a successful and sought after Drama education consultant, and was one of the founders of Drama Defined, which specialises in delivering high quality Drama education courses to staff and students. Matthew is currently Head of Drama at Manchester Grammar School. You can reach him on Twitter @matthew_drama.
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