This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology.
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This installation of the Modern Master series surveys the work of Rene Magritte, one of the most enigmatic artists of the 20th century and an important figure in the surrealist movement. He combined the commonplace with the fantastic to become the master of "magic realism." Cloud-filled skies, bowler-hatted men, and oversized household objects are in abundance in the more than 60 full-color reproductions included in this volume.About the Author:
Rene Magritte was born RenE FranAois-Ghislain Magritte in 1898 in Belgium. In March of 1912, Magritte's mother killed herself by jumping into the river Sambre. The next year, the young artist met his future wife, Georgette Berger; the year after that he enrolled as a pupil at the Academy of Fine Arts in Brussels. In the early 1920s, Magritte served in the military, married Georgette, and worked as a graphic artist, primarily drawing motifs for wallpaper. De Chirico provided a strong early influence. Magritte's first painting, a portrait of singer Evelyne BrElia, was sold in 1923, and his first surrealist work, Le Jockey Perdu, was painted in 1926. His first exhibition was held in 1927; soon thereafter, he and Georgette moved near Paris and began to meet other surrealists like MirU, Eluard and Arp. His relationships with the surrealists only deepened over the following years: Magritte published his work in various surrealist journals, vacationed with the DalIs, and exhibited with Edward James. At different points during his mature career, he dramatically changed his painting style, only to return to his original surrealist ways. Magritte died in 1967.
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Book Description Phaidon Press Ltd, 1979. Book Condition: Good. Rev and Enl ed.. Former Library book. Shows some signs of wear, and may have some markings on the inside. Bookseller Inventory # GRP71063679
Book Description Phaidon Press Ltd. Hardcover. Book Condition: VERY GOOD. Light rubbing wear to cover, spine and page edges. Very minimal writing or notations in margins not affecting the text. Possible clean ex-library copy, with their stickers and or stamp(s). Bookseller Inventory # 2768383340
Book Description Phaidon Press Ltd. Hardcover. Book Condition: Good. Light shelf wear and minimal interior marks. Bookseller Inventory # G0714819654I3N00
Book Description Hardback. Book Condition: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration. Bookseller Inventory # GOR006674364
Book Description Phaidon Press Ltd. Hardcover. Book Condition: Fine. 0714819654 Very light wear to dj, otherwise flawless. We ship daily!. Bookseller Inventory # DRYDEN-020810-1334OS
Book Description Phaidon, United Kingdom, 1979. Hard Cover. Book Condition: Very Good. Dust Jacket Condition: Very Good. First Ecco Edition. The book has some light browning wear along the edges of the first and last pages. Bookseller Inventory # 059863
Book Description Phaidon Press Ltd., United Kingdom, 1979. Hard Cover. Book Condition: Near Fine. Dust Jacket Condition: Very Good. Color Plates (illustrator). First Edition. Gift inscription on free end page, otherwise in very nice condition. Bookseller Inventory # 035493
Book Description Phaidon Press Ltd, 1979. Hardcover. Book Condition: Used: Good. Bookseller Inventory # SONG0714819654
Book Description Phaidon Press Ltd, Oxford, first edition, 1979, 1979. Cloth, 4to, 31 cm, 16 pp,48 pp of plates From the blurb: "Stylistic and formal concerns were of secondary importance to Magritte, whose main interest was in ideas or propositions :about the world; for example, many of his paintings explore the relation between objects and words, or between the image of an object and the object itself. He deliberately cultivated a cold, unemotive, 'styleless' style, by which such concerns could be most directly conveyed to the spectator. This quality renders the images of violence and macabre sexuality in some of his works all the more disturbing. M any of the illustrations in this book have been specially photographed from paintmgs in the 1979 Magritte exhibition in Paris. They represent the whole of his career, with particular emphasis on the early years, when many of his best ideas were conceived." A volume in the Phaidon Colour Plate Series. Near Very Good in slightly used and price-clipped dustwrapper. Bookseller Inventory # ABE-25069
Book Description Phaidon Press Ltd, 1979. Book Condition: D'occasion - Tr?s Bon Etat. . Bookseller Inventory # CARTON-PHIL-09