Raw Creation: Outsider Art & Beyond

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9780714840093: Raw Creation: Outsider Art & Beyond

For many years what has become known as outsider art - the art produced by visionaries, spiritualists, recluses, the mad and the socially marginalized - was scorned and ridiculed, yet this type of art presents images of great immediacy and power, arising outside accepted art circles. These works were not made for patrons or art critics, and were often acts of compulsion in circumstances where time is of no consequence and there is no desire for money.

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Review:

Primitive, folk, naive, self-taught, outsider--branding art made outside of the conventional art world has become a tender task. What defines it? Who are its creators? No matter what you call it, there's no denying the visceral appeal of raw creativity unbound by rules, class, or education. Long-overdue attention is finally being awarded to self-taught artists--so often marginalized by race, economics, and social structure--allowing them to carve a solid place for themselves and their work in the world of high art. Maizel's book examines the history, study, and appreciation of this century's self-taught art, from the maniacal drawings of asylum inmates to found-object sculptures made by street people to homes surrounded by monoliths or covered in mosaic. The book bills itself as an introduction to the topic, but it is in fact quite a comprehensive study. It is divided into three sections: part one explores early studies of the work of the insane, Dubuffet and Art Brut; part two chronicles folk art and self-taught artists around the world; and part three delves into the world of visionary environments. The contemporary busyness of the design-small type, footnotes printed perpendicular to text, and seemingly random increases in font size can be frustrating, but plow through--the content is informative and inspirational.

From the Back Cover:

The art of visionaries, folk creators, spiritualists, recluses, the 'mad' and the socially marginalized is no longer scorned and cannot be ignored. Among the first to value and collect such work was the French artist Jean Dubuffet (1901-85). For those he judged to represent the 'purest form of creation' he coined the term Art Brut, literally 'raw art' - raw because it was 'uncooked' by culture, raw because it came directly from the psyche, art touched by a raw nerve. In Raw Creation John Maizels traces the history of the recognition and study of this art and examines the different theories and definitions that have grown up around it. He provides detailed expositions of the work of individual artists ranging from such Art Brut masters as Adolf Wolfli and Aloise Corbaz to such gifted American folk artists as Bill Traylor and Mose Tolliver. Devoting several chapters to large-scale visionary environments, he takes a broad international view embracing Rodia's towers in Watts, Los Angeles, the Palais Ideal in the south of France, and Nek Chand's sculpture garden in north India.

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Maizels, John
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Book Description PHAIDON, 2003. Soft Cover. Book Condition: New. The art of self-taught artists - including visionaries, folk creators, spiritualists, recluses, the 'mad' and the socially marginalized - was once scorned by the art establishment. Among the first to value and collect such works was the French artist Jean Dubuffet (1901-85), who coined the term Art Brut, or 'raw art'. Bookseller Inventory # 0904341

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Book Description Phaidon Press Ltd, United Kingdom, 2000. Paperback. Book Condition: New. New edition. 284 x 251 mm. Language: English . Brand New Book. The art of self-taught artists - including visionaries, folk creators, spiritualists, recluses, the mad and the socially marginalized - was once scorned by the art establishment. Among the first to value and collect such works was the French artist Jean Dubuffet (1901-85), who coined the term Art Brut, or raw art . He saw Art Brut as the purest form of creation because it was uncooked by culture, touched by a raw nerve and deriving directly from the psyche. Some 50 years later, a wave of enthusiasm for contemporary folk art has gripped countries as far apart as India and the United States. John Maizels ties these disparate strands together, providing an extensive survey of the self-taught art of the twentieth century. Today a bewildering range of terminology has emerged, along with growing enthusiasm, for strains of creative expression outside the conventional art world. In Raw Creation, Maizels traces the history of the recognition and study of this art and examines different theories and definitions that have grown up around it.He provides detailed expositions of the work of individual artists ranging from such Art Brut masters as Adolf Wolfli and Aloise Corbaz, to such gifted American folk artists as Bill Traylor and Mose Tolliver. Devoting several chapters to large-scale visionary environments, Maizels takes a broad view, embracing Rodia towers in Watts, Los Angeles, the Palais Ideal in the South of France and Nek Chand s sculpture garden in north India. Raw Creation provides an indispensable guide to self-taught art and a fascinating account of human creativity. Bookseller Inventory # AA99780714840093

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Book Description Phaidon Press Ltd, United Kingdom, 2000. Paperback. Book Condition: New. New edition. 284 x 251 mm. Language: English . Brand New Book. The art of self-taught artists - including visionaries, folk creators, spiritualists, recluses, the mad and the socially marginalized - was once scorned by the art establishment. Among the first to value and collect such works was the French artist Jean Dubuffet (1901-85), who coined the term Art Brut, or raw art . He saw Art Brut as the purest form of creation because it was uncooked by culture, touched by a raw nerve and deriving directly from the psyche. Some 50 years later, a wave of enthusiasm for contemporary folk art has gripped countries as far apart as India and the United States. John Maizels ties these disparate strands together, providing an extensive survey of the self-taught art of the twentieth century. Today a bewildering range of terminology has emerged, along with growing enthusiasm, for strains of creative expression outside the conventional art world. In Raw Creation, Maizels traces the history of the recognition and study of this art and examines different theories and definitions that have grown up around it. He provides detailed expositions of the work of individual artists ranging from such Art Brut masters as Adolf Wolfli and Aloise Corbaz, to such gifted American folk artists as Bill Traylor and Mose Tolliver. Devoting several chapters to large-scale visionary environments, Maizels takes a broad view, embracing Rodia towers in Watts, Los Angeles, the Palais Ideal in the South of France and Nek Chand s sculpture garden in north India. Raw Creation provides an indispensable guide to self-taught art and a fascinating account of human creativity. Bookseller Inventory # AA99780714840093

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Book Description Phaidon Press. Book Condition: New. 2000. Paperback. A study of 'Outsider Art' and its influence on modern art. Num Pages: 240 pages, 352 colour and 72 b&w illustrations, bibliography, index. BIC Classification: ACBN; WF. Category: (G) General (US: Trade). Dimension: 289 x 252 x 32. Weight in Grams: 1536. . . . . . Books ship from the US and Ireland. Bookseller Inventory # V9780714840093

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Book Description Phaidon Press, 2000. Book Condition: New. 2000. Paperback. A study of 'Outsider Art' and its influence on modern art. Num Pages: 240 pages, 352 colour and 72 b&w illustrations, bibliography, index. BIC Classification: ACBN; WF. Category: (G) General (US: Trade). Dimension: 289 x 252 x 32. Weight in Grams: 1536. . . . . . . Bookseller Inventory # V9780714840093

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Book Description Phaidon Press Ltd. Paperback. Book Condition: new. BRAND NEW, Raw Creation: Outsider Art and Beyond (New edition), Roger Cardinal, John Maizels, The art of self-taught artists - including visionaries, folk creators, spiritualists, recluses, the 'mad' and the socially marginalized - was once scorned by the art establishment. Among the first to value and collect such works was the French artist Jean Dubuffet (1901-85), who coined the term Art Brut, or 'raw art'. He saw Art Brut as the purest form of creation because it was 'uncooked' by culture, touched by a raw nerve and deriving directly from the psyche. Some 50 years later, a wave of enthusiasm for contemporary folk art has gripped countries as far apart as India and the United States. John Maizels ties these disparate strands together, providing an extensive survey of the self-taught art of the twentieth century. Today a bewildering range of terminology has emerged, along with growing enthusiasm, for strains of creative expression outside the conventional art world. In Raw Creation, Maizels traces the history of the recognition and study of this art and examines different theories and definitions that have grown up around it. He provides detailed expositions of the work of individual artists ranging from such Art Brut masters as Adolf Wolfli and Aloise Corbaz, to such gifted American folk artists as Bill Traylor and Mose Tolliver. Devoting several chapters to large-scale visionary environments, Maizels takes a broad view, embracing Rodia towers in Watts, Los Angeles, the Palais Ideal in the South of France and Nek Chand's sculpture garden in north India. Raw Creation provides an indispensable guide to self-taught art and a fascinating account of human creativity. Bookseller Inventory # B9780714840093

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Book Description Paperback. Book Condition: New. Not Signed; The art of self-taught artists - including visionaries, folk creators, spiritualists, recluses, the 'mad' and the socially marginalized - was once scorned by the art establishment. Among the first to value and collect such works was the French artist Jean Dubuffet (1901-85), who coined the term Art. book. Bookseller Inventory # ria9780714840093_rkm

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