This scholarly, yet jargon-free, exploration of the relationship between music and the visual arts examines how that relationship was conceived at various times by practising artists and musicians, by critics and theorists of art
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Peter Vergo is Professor of Art History and Theory at the University of Essex, a widely respected art historian and author of several books on art and music studies including the classic Art in Vienna 1898-1918, published by Phaidon.
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Seller: Rothwell & Dunworth (ABA, ILAB), Dulverton, United Kingdom
1st edn. 8vo. Original silver lettered grey cloth (Fine), dustwrapper (Fine). Pp. 288, with coloured and b&w illus (no inscriptions). Seller Inventory # 182466
Quantity: 1 available
Seller: Bookoutlet1, Easley, SC, U.S.A.
Condition: Very Good. Great shape! Has a publisher remainder mark. hardcover Used - Very Good 2005. Seller Inventory # IM-10028924
Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Hardcover. Condition: Used-Very Good. Cloth, dj. Minor shelf-wear. Seller Inventory # 1773411
Seller: Hay-on-Wye Booksellers, Hay-on-Wye, HEREF, United Kingdom
Condition: Very Good. Used, no dust jacket, cover has light scratches, outer edges have minor scuffs, book content is in very good condition. Seller Inventory # 068551-9
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Seller: Eighth Day Books, LLC, Wichita, KS, U.S.A.
Hardcover. Condition: New. The Western mind has been persistently fascinated by a supposed, yet elusive, point of connection between music and the visual arts. From ancient Greece, we receive the tradition of music taught as a discipline of mathematics, tones on a scale governed by the division of whole numbers. In the Middle Ages, the musical scale was understood as an image of Order - the perfect organization of the universe by the hand of God. Into the twentieth century, philosophers, artists, musicians, mathematicians and architects all alike have proposed various 'concerts for the eye' -- works of art created through the synthesis of color, form and the structure of music. Peter Vergo, a professor of art history and theory at Essex, 'makes direct and detailed comparisons between musical and pictorial practices in the long period covered by this book.' He examines the culture, practice and theory of music and the arts over time, and the result is a 'compelling exploration of ideas that reveals how deeply musical principles influenced the theory and criticism of the visual arts.' Appropriately, this book is beautiful to behold as well - a bit oversized, satisfyingly weighty, the book and jacket design expertly crafted. Seller Inventory # 20070607109033
Seller: Mooney's bookstore, Den Helder, Netherlands
Condition: Very good. Seller Inventory # E-9780714843513-2-2
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Seller: GoldBooks, Denver, CO, U.S.A.
Hardcover. Condition: new. New Copy. Customer Service Guaranteed. Seller Inventory # 95J83_59_0714843512