Bojan Bujic Arnold Schoenberg

ISBN 13: 9780714846149

Arnold Schoenberg

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9780714846149: Arnold Schoenberg
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In this book, Bojan Bujic sets into an appropriate cultural context the immensely rich life of a composer who is, arguably, the key musical personality of the twentieth century. A major force in the development of modern music, Arnold Schoenberg (1874-1951) is famous for abandoning tonality and introducing the 12-tone 'serial' method of composition. There can be no agreement as to whether Schoenberg is the greatest composer of his time, especially as his innovative musical language did not appeal to all who came after him, but directly or indirectly, he affected so many musicians and listeners of his own and of subsequent generations that his centrality cannot be disputed. In addition to his work as a composer, Schoenberg was an important theorist of tonal music and an enormously influential teacher, with Anton Webern and Alban Berg among his most famous pupils. Brought up in the rich and cosmopolitan cultural life of Vienna, Schoenberg started to play the violin at the age of nine and began experimenting with composition almost immediately, but his education was cut short by the death of his father in 1889. Schoenberg had no formal training in music until he was in his late teens, and throughout his life he remained proud of the fact that so much of what he had absorbed as a youth about music and literature derived from his own tenacity and sense of purpose. Schoenberg first composed in the late Romantic tradition, and his earliest acknowledged works, including the string sextet "Verklarte Nacht", date from the turn of the century. Following a brief interlude in Berlin, where he worked as a cabaret musician and teacher and also wrote the symponic poem "Pelleas und Melisande", he returned to Vienna. Here, he began taking on pupils such as Webern and Berg, and further developed his musical style, in due course causing a sensation with the dissonance of his 'serial' technique and the greater harmonic strangeness and complexity of his material. Schoenberg only returned to something approaching his tonal style decades later, with his "Suite in G" for strings. In 1925, a couple of years after having turned down an offer to become director of the Bauhaus music school because he had been informed of antisemitic tendencies at the institution, Schoenberg moved back to Berlin to take up a post as director of a master class in composition at the Arts Academy, in spite of antisemitic protests appearing in the Zeitschrift fur Musik in reaction to his professorship. Later, when he situation of Jews in Germany became clear to him, Schoenberg increasingly spent time away from Berlin, and finally decided to move to the US in 1933, where he taught in Boston and New York at the Malkin Conservatory. In 1934, Schoenberg moved to Los Angeles, taking up a teaching post at USC and a professorship at UCLA. He lived in Los Angeles, where John Cage became one of his pupils and George Gershwin a good friend, until his death in 1951. There are those who contend that Schoenberg's uncompromising search for an individual voice led him to create music which is too difficult to follow, since many familiar features, which normally enable listeners to find their way through a piece of music, have been removed or radically re-shaped. This is often perceived as the main cause of the isolation of avant-garde music in the late twentieth century, but Bujic argues that these accusations are frequently made before Schoenberg's music has even had a chance to present itself - its difficulty and strangeness are uncritically evoked, often preventing the music from being appreciated in its own right. In this book, Bujic sets out to win more listeners to Schoenberg's music, by introducing his life, work and theories in an accessible, sympathetic manner.

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About the Author:

Bojan Bujic (b. 1937) studied English literature and musicology in his native city of Sarajevo, Bosnia and Herzegovina, before completing his doctorate in fourteenth-century music at Oxford. He has taught at the Academy of Music in Sarajevo, was a lecturer in music at the University of Reading and a Visiting Fellow at Cornell University. Since 1978, he has been a lecturer in music at Oxford University, and a Reader in musicology since 1997. He is a Fellow of Magdalen College, Oxford.

Review:

"Includes rare and revealing illustrations... [A] sane and sensitive biography... A readable illustrated biography of Schoenberg is such an obvious idea what one wonders why it has taken so long for one to appear. Certainly Phaidon's 20th Century Composers series [...] is an ideal format... Bojan Bujic [...] has performed his task with skill and sympathy. It is refreshing to see Schoenberg treated as a passionate human being... Bujic's explication of the serial method and its imaginative origins is sensible and concise... He is also ingenious in using his pictorial material to illuminate musical issues... Overall an extremely useful introduction."-BBC Music "The major (and rare) achievement of the book is its slow but sure description of Schoenberg's move through post-romantic tonality, atonality and serialism. The explanation of musical language is always tricky [...] but Bujic remains clear and honest without baffling. ... particularly deft is his invitation to listen to Schoenberg in a different way. ... Bujic's biography, like its subject, dazzles and delights."-Classical Music "A considerable success - an overview that manages to be serious without ponderousness, fresh without superficiality ... in Bujic's hands there is always a degree of shrewdness to counter the dangers of over-simplification, boosted by a striking comparison or novel suggestion of context. ... Bujic offers many [...] deft characterisations of how to think constructively about his subject's most challenging compositional concerns, and his narrative wears its own scholarship lightly."-Musical Times On the 20th Century Composers Series "As a series, Phaidon's 20th Century Composers has brought remarkable variety and a welter of information, both necessary and delightfully trivial. Intended both for the general reader and for the more enthusiastically musical."-The Scotsman

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Book Description Phaidon Press Ltd, United Kingdom, 2011. Hardback. Condition: New. Language: English . Brand New Book. Arnold Schoenberg (1874-1951) was arguably the central musical personality of the twentieth century, whose innovative, uncompromising musical language opened up new possibilities for composers and influenced generations of musicians and listeners. This book presents a clear narrative history of Schoenberg s life, work and cultural context along with essential reference material and striking illustrations, making it a vital purchase for anyone interested in the composer. Seller Inventory # AA99780714846149

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Book Description Phaidon Press Ltd, United Kingdom, 2011. Hardback. Condition: New. Language: English . Brand New Book. Arnold Schoenberg (1874-1951) was arguably the central musical personality of the twentieth century, whose innovative, uncompromising musical language opened up new possibilities for composers and influenced generations of musicians and listeners. This book presents a clear narrative history of Schoenberg s life, work and cultural context along with essential reference material and striking illustrations, making it a vital purchase for anyone interested in the composer. Seller Inventory # AA99780714846149

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