This new collection of essays questions the old orthodoxies of the image as a formal object. The contributors take note of the new condition of the image and its intersection with time and suggest new ways of configuring the relationship between them. Ranging widely over philosophy, psychoanalysis, and literary studies, as well as art history and media studies, the essays include studies of photography--the idea of a still as bound to a structure of the past haunting the present; sculpture--for example, unpacking a famous piece such as the Laocoon into distinct layers of temporality; painting--for example, through an illuminating discussion of Manet, and a discussion of the merits of a Freudian understanding of blocked or repressed memory against the Prousian/Leibniz model of memory as a crystal image.
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Carolyn Bailey Gill is Lecturer in Critical Theory at Birkbeck College, University of London.
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Book Description Manchester University Press, 2001. Book Condition: Good. N/A. Former Library book. Shows some signs of wear, and may have some markings on the inside. Bookseller Inventory # GRP12459342
Book Description Manchester University Press. Book Condition: Good. Contains light staining. Ex-library, so some stamps and wear, and may have sticker on cover, but in good overall condition. Bookseller Inventory # Z1-T-005-00593
Book Description Manchester University Press, 2001. Hardcover. Book Condition: Good. Good condition, some are ex-library and can have markings. Bookseller Inventory # GD-247-93-8938708